Awards

• Winner of Sonneck Society for American Music Irving Lowens Prize 1997
• Winner of Sonneck Society for American Music Irving Lowens Prize 1997.

Overview

This fresh look at the neglected rhythm section in jazz ensembles shows that the improvisational interplay among drums, bass, and piano is just as innovative, complex, and spontaneous as the solo. Ingrid Monson juxtaposes musicians' talk and musical examples to ask how musicians go about ""saying something"" through music in a way that articulates identity, politics, and race. Through interviews with Jaki Byard, Richard Davis, Sir Roland Hanna, Billy Higgins, Cecil McBee, and others, she develops a perspective on jazz improvisation that has ""interactiveness"" at its core, in the creation of music through improvisational interaction, in the shaping of social communities and networks through music, and in the development of cultural meanings and ideologies that inform the interpretation of jazz in twentieth-century American cultural life. Replete with original musical transcriptions, this broad view of jazz improvisation and its emotional and cultural power will have a wide audience among jazz fans, ethnomusicologists, and anthropologists.

Full Product Details

9780226534787

Table of Contents

Reviews

""A musician once told me that music has to speak for itself--words cannot do it. Ingrid Monson has wondrously proved the opposite. I hear more now.""--Nat Hentoff ""A tour de force that carries the reader on an unforgettable journey into the creative, emotions, and communicative world of the jazz rhythm section.""--Paul Berliner, author of Thinking in Jazz

Author Information

Ingrid Monson is assistant professor of music at Washington University.

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