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OverviewOn a winter day in 1892, in the broad daylight of downtown Memphis, Tennessee, a middle class woman named Alice Mitchell slashed the throat of her lover, Freda Ward, killing her instantly. Local, national, and international newspapers, medical and scientific publications, and popular fiction writers all clamoured to cover the ensuing ""girl lovers"" murder trial. Lisa Duggan locates in this sensationalised event the emergence of the lesbian in U.S. mass culture and shows how newly ""modern"" notions of normality and morality that arose from such cases still haunt and distort lesbian and gay politics to the present day. Situating this story alongside simultaneously circulating, lynching narratives (and its resistant versions, such as those of Memphis anti-lynching activist Ida B. Wells) Duggan reveals how stories of sex and violence were crucial to the development of American modernity.While careful to point out the differences between the public reigns of terror that led to many lynchings and the rarer instances of the murder of one woman by another privately motivated woman, Duggan asserts that dominant versions of both sets of stories contributed to the marginalisation of African Americans and women while solidifying a distinctly white, male, heterosexual form of American citizenship. Having explored the role of turn-of-the-century print media - and in particular their tendency toward sensationalism - Duggan moves next to a review of sexology literature and to novels, most notably Radclyffe Hall's The Well of Loneliness. Sapphic Slashers concludes with two appendices, one of which presents a detailed summary of Ward's murder, the trial, and Mitchell's eventual institutionalisation. The other presents transcriptions of letters exchanged between the two women prior to the crime. Combining cultural history, feminist and queer theory, narrative analysis, and compelling storytelling, Sapphic Slashers provides the first history of the emergence of the lesbian in twentieth-century mass culture. Full Product DetailsAuthor: Lisa DugganPublisher: Duke University Press Imprint: Duke University Press Dimensions: Width: 15.60cm , Height: 2.20cm , Length: 22.90cm Weight: 0.726kg ISBN: 9780822326175ISBN 10: 0822326175 Pages: 277 Publication Date: 10 January 2001 Audience: Professional and scholarly , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: Out of stock ![]() The supplier is temporarily out of stock of this item. It will be ordered for you on backorder and shipped when it becomes available. Table of ContentsAcknowledgments ix Introduction 1 Part I Murder in Memphis 1. Girl Slays Girl 9 2. A Feast of Sensation 32 3. Habeas Corpus 61 4. Inquisition of Lunacy 87 Part II Making Meanings 5. Violent Passions 123 6. Doctors of Desire 156 7. A Thousand Stories 180 More Than Love: An Epilogue 193 Appendix A: Hypothetical Case 201 Appendix B: Letters 213 Notes 233 Bibliography 281 Index 299ReviewsWhat Duggan does in this original and moving book is take a murder case from 1890's Memphis and make of it a prism through which to illuminate American modernity. Her method depends less on an account of the murder or of the judicial procedure that followed it than on an analysis of the many narratives - of lesbian love and sex and madness - that the case occasioned. Juxtaposing these narratives to narratives of lynching, Duggan produces a tour-de-force of historical understanding. - Henry Abelove, Wesleyan University A book to die for! Theoretically sophisticated, yet written with clarity and elegance, Sapphic Slashers opens whole new worlds of understanding about sexuality, gender norms, racial injustice, violence, and the complex ways they are connected. Full of passion and intelligence, it made me think in fresh new ways about issues of great importance. Duggan's is an amazing intellect. - John D'Emilio, coauthor of Intimate Matters: A History of Sexuality in America In this stunningly coherent and compelling account of the development of 'American modernity,' Duggan captures our interest with the sensational tale of lesbian love murder but then insists that we read this tale through turn-of-the-century debates over racial violence and against the backdrop of the medicalization of homosexuality. Sapphic Slashers has 'classic' written all over it. - Judith Halberstam, author of Female Masculinity What Duggan does in this original and moving book is take a murder case from 1890's Memphis and make of it a prism through which to illuminate American modernity. Her method depends less on an account of the murder or of the judicial procedure that followed it than on an analysis of the many narratives - of lesbian love and sex and madness - that the case occasioned. Juxtaposing these narratives to narratives of lynching, Duggan produces a tour-de-force of historical understanding. - Henry Abelove, Wesleyan University A book to die for! Theoretically sophisticated, yet written with clarity and elegance, Sapphic Slashers opens whole new worlds of understanding about sexuality, gender norms, racial injustice, violence, and the complex ways they are connected. Full of passion and intelligence, it made me think in fresh new ways about issues of great importance. Duggan's is an amazing intellect. - John D'Emilio, coauthor of Intimate Matters: A History of Sexuality in America In this stunningly coherent and compelling account of the development of 'American modernity,' Duggan captures our interest with the sensational tale of lesbian love murder but then insists that we read this tale through turn-of-the-century debates over racial violence and against the backdrop of the medicalization of homosexuality. Sapphic Slashers has 'classic' written all over it. - Judith Halberstam, author of Female Masculinity A book to die for! Theoretically sophisticated, yet written with clarity and elegance, Sapphic Slashers opens whole new worlds of understanding about sexuality, gender norms, racial injustice, violence, and the complex ways they are connected. Full of passion and intelligence, it made me think in fresh new ways about issues of great importance. Duggan's is an amazing intellect. -John D'Emilio, coauthor of Intimate Matters: A History of Sexuality in America Duggan seamlessly combines cultural theory with analyses of material conditions and demonstrates a breathtaking command of American cultural institutions-the mass press, the judicial systems, the medical literature. The book is not only smart about the interconnections between gender, sex, race, class, and nation, but is also lucid, making a good read. -Elizabeth Lapovsky Kennedy, author of Boots of Leather, Slippers of Gold: The History of a Lesbian Community In this stunningly coherent and compelling account of the development of 'American modernity,' Duggan captures our interest with the sensational tale of lesbian love murder but then insists that we read this tale through turn-of-the-century debates over racial violence and against the backdrop of the medicalization of homosexuality. Sapphic Slashers has 'classic' written all over it. -Judith Halberstam, author of Female Masculinity What Duggan does in this original and moving book is take a murder case from 1890's Memphis and make of it a prism through which to illuminate American modernity. Her method depends less on an account of the murder or of the judicial procedure that followed it than on an analysis of the many narratives-of lesbian love and sex and madness-that the case occasioned. Juxtaposing these narratives to narratives of lynching, Duggan produces a tour-de-force of historical understanding. -Henry Abelove, Wesleyan University Author InformationLisa Duggan is Associate Professor of American Studies and History at New York University. She is coauthor of Sex Wars: Sexual Dissent and Political Culture and coeditor of Our Monica, Ourselves: The Clinton Affair and National Interest. Tab Content 6Author Website:Countries AvailableAll regions |