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OverviewFull Product DetailsAuthor: N. BianchiniPublisher: Palgrave Macmillan Imprint: Palgrave Macmillan Dimensions: Width: 14.00cm , Height: 1.80cm , Length: 21.60cm Weight: 3.845kg ISBN: 9781137439857ISBN 10: 1137439858 Pages: 204 Publication Date: 11 February 2015 Audience: Professional and scholarly , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: In Print ![]() This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of Contents"Introduction: ""Exactly as you Envisioned"" Alan Schneider and Samuel Beckett 1. The Laugh Sensation of Two Continents! 2. Finding a Home Off-Broadway 3. A Series of Firsts 4. New York and Beyond 5. American Zenith Conclusion: Assessing Schneider's Legacy"ReviewsThe professional and personal relationship between a remarkable director and an extraordinary playwright finds in Bianchini's volume the kind of examination it has long deserved. Re-tracing each of their collaborations-from the earliest phase of Schneider's research and planning, through his notes and correspondence with Beckett and the rehearsal process, to performance and critical response-the author offers an insightful and comprehensive study of two creative greats that makes for a truly wonderful read! - Lois Oppenheim, Professor of Modern Languages and Literatures, and Past president of The Samuel Beckett Society “This book is a readable, often fascinating work that relies on a host of source material never before brought together … Samuel Beckett’s Theatre in America will be of enormous assistance to those who wish to better understand either of its central characters, or the American theatre especially in the period from 1956-71, or indeed the relationship between playwright and director in the theatrical process.” (Richard Jones, the Journal of American Drama and Theatre, Vol. 30 (2), 2018) The professional and personal relationship between a remarkable director and an extraordinary playwright finds in Bianchini's volume the kind of examination it has long deserved. Re-tracing each of their collaborations - from the earliest phase of Schneider's research and planning, through his notes and correspondence with Beckett and the rehearsal process, to performance and critical response - the author offers an insightful and comprehensive study of two creative greats that makes for a truly wonderful read! - Lois Oppenheim, Professor of Modern Languages and Literatures, Montclair State University, USA and Past President of The Samuel Beckett Society Bianchini explores the extraordinary intimacy between playwright, Samuel Beckett, and director, Alan Schneider, in this scrupulously documented history, detailing the specifics of Schneider's obsessive desire to accurately portray Beckett's plays in accordance with the author's wishes. In an age where director's concepts weigh far more heavily than the playwright's intentions, Bianchini's focus on Schneider's interpretive art is refreshing, absorbing, and incredibly helpful not only to Beckett scholars, but to any directing students interested in understanding how to approach a script. - David A. Crespy, Professor of Playwriting, Acting, & Dramatic Literature, University of Missouri, USA, and President of The Edward Albee Society The professional and personal relationship between a remarkable director and an extraordinary playwright finds in Bianchini's volume the kind of examination it has long deserved. Re-tracing each of their collaborations - from the earliest phase of Schneider's research and planning, through his notes and correspondence with Beckett and the rehearsal process, to performance and critical response - the author offers an insightful and comprehensive study of two creative greats that makes for a truly wonderful read! - Lois Oppenheim, Professor of Modern Languages and Literatures, Montclair State University, USA and Past President of The Samuel Beckett Society Bianchini explores the extraordinary intimacy between playwright, Samuel Beckett, and director, Alan Schneider, in this scrupulously documented history, detailing the specifics of Schneider's obsessive desire to accurately portray Beckett's plays in accordance with the author's wishes. In an age where director's concepts weigh far more heavily than the playwright's intentions, Bianchini's focus on Schneider's interpretive art is refreshing, absorbing, and incredibly helpful not only to Beckett scholars, but to any directing students interested in understanding how to approach a script. - David A. Crespy, Professor of Playwriting, Acting, & Dramatic Literature, University of Missouri, USA, and President of The Edward Albee Society Author InformationNatka Bianchini is Assistant Professor of Theatre in the Department of Fine Arts at Loyola University Maryland, USA. Tab Content 6Author Website:Countries AvailableAll regions |