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Author:   Mark S. Byron
Publisher:   Brill
Imprint:   Editions Rodopi B.V.
Volume:   1
Dimensions:   Width: 15.00cm , Height: 1.70cm , Length: 22.00cm
Weight:   0.481kg
ISBN:  

9789042022881

ISBN 10:   9042022884
Pages:   289
Publication Date:   01 January 2007
Audience:   General/trade ,  General
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print  
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Table of Contents

Mark S. BYRON: Introduction: Endgame--Very Nearly, But Not Quite Thomas MANSELL: Hard-to-hear Music in Endgame Colin DUCKWORTH: Re-Evaluating Endgame Jane E. GATEWOOD: Memory and Its Devices in Endgame Michael GUEST: Paul Ricoeur and Watching Endgame Russell SMITH: Endgame's Remainders Natka BIANCHINI: Bare interiors, chicken wire cages and subway stations-re-thinking Beckett's response to the ART Endgame in light of earlier productions Antonia Rodriguez GAGO: Transcultural Endgame/s Mary F. CATANZARO: Masking and the Social Construct of the Body in Beckett's Endgame Paul SHIELDS: Hamm Stammered: Beckett, Deleuze, and the Atmospheric Stuttering of Endgame Paul STEWART: But Why Shakespeare? The Muted Role of Dickens in Endgame Kate DORNEY: Hamming it up in Endgame: A Theatrical Reading Julie CAMPBELL: Endgame and Performance Essay Abstracts About the Authors Index

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Author Information

MARK S. BYRON is an Australian Research Council Postdoctoral Fellow in the Department of English at the University of Sydney, Australia. He has taught at the University of Washington, Seattle, and at the University of Sydney. His principal publications include essays on Samuel Beckett, Ezra Pound and Gertrude Stein. He is currently co-editor of the Electronic Variorum Edition of Ezra Pound's Cantos, with Professor Richard Taylor, and is also working on an electronic edition of Samuel Beckett's novel Watt.

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