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""Samay ke Padaav"" jeevan ki us nirantar yatra ka kavyatmak dastavez hai, jismein manushya har kshan kuch khota hai, kuch paata hai aur bahut kuch apne bheetar sanjo kar aage badhta hai. Yeh sangrah kisi ek ghatna, vichar ya bhaav tak seemit nahin hai, balki badalte samajik parivesh, satta ke thekedaron ki bhoomika, samajik nyaay aur samvedanaon ke vivid anubhavon ko shabd dene ka ek vinamra prayaas hai. Yeh kavita sangrah samay ke saath ubhare bhaavon aur anubhavon ko samete hai jinhein hum aksar mehsoos to karte hain, par jeevan ki bhaag-daud mein kahin chhod dete hain ya unhein sthaan nahin de paate, jaise - akelapan, asahmati, smritiyan, bichhoh, ummeed, pratirodh aur bheetar palti nyaay ki aawaaz. Is sangrah ki kavitaen ""Samay jab guzarta hai"" ke us ehsaas se janm leti hain, jab aadmi baahari duniya se adhik apne bheetar ki halchalon ko sunne lagta hai. Isi tarah ""Pita nahin, pehchaan hoon main"" aur ""Pita aur Pahaad"" jaise sheershak us jad se jude hone ka bhaav rachate hain, jo vyakti ko har tootan ke baad bhi khada rehne ki taakat deta hai. Kuch kavitaen - ""Maa tu ja kaam par"", ""Main pahaad bol raha hoon"", ""Hum bhi ped banenge"", ""Thoonth khade pedon se"", ""Akela jab hota hai man"", ""Man kitna bhi bhaari ho"", aadi. ""Samay ke Padaav"" sangrah kavitaon ke saath-saath bhaavnaon aur jeevan ki vaastaviktaon ka dastavez hai. Yadi inmein paathakon ko apna koi dard, sawaal, maun ya ummeed dikhai de, to yahi iski saarthakta hogi. (Gopal Datt)

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