Salsa Rising: New York Latin Music of the Sixties Generation

Author:   Juan Flores (Prof. of Social and Cultural Analysis, Prof. of Social and Cultural Analysis, New York University)
Publisher:   Oxford University Press Inc
ISBN:  

9780199764907


Pages:   288
Publication Date:   07 April 2016
Format:   Paperback
Availability:   To order   Availability explained
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Salsa Rising: New York Latin Music of the Sixties Generation


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Full Product Details

Author:   Juan Flores (Prof. of Social and Cultural Analysis, Prof. of Social and Cultural Analysis, New York University)
Publisher:   Oxford University Press Inc
Imprint:   Oxford University Press Inc
Dimensions:   Width: 13.70cm , Height: 1.80cm , Length: 20.80cm
Weight:   0.340kg
ISBN:  

9780199764907


ISBN 10:   0199764905
Pages:   288
Publication Date:   07 April 2016
Audience:   College/higher education ,  Undergraduate ,  Postgraduate, Research & Scholarly
Format:   Paperback
Publisher's Status:   Active
Availability:   To order   Availability explained
Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us.

Table of Contents

Preface Introduction. Guaracha to Mambo: Style Shifts of the Earlier Generations (1930-60) Chapter 1. Pachanga Alegre Chapter 2. La PerfectaFit Chapter 3. Boogaloo Soul Chapter 4. Revolt in Típico Chapter 5. Fania's Latin Thing Chapter 6. Salsoul Challenges Coda

Reviews

[I]n this vividly narrated account he [Flores] narrows his focus from a wholesale history of so-called Latin music to a specific cultural moment in a single (albeit uniquely large and diverse) city...most illuminating. --Times Literary Supplement Salsa Rising is organized into six chapters, all chock full of information. A brief coda provides additional discussion of the Latino flavor in the popular music of New York. Although he focuses on salsa, the author devotes chapters to other genres of Latin music that were popular in New York during the 1960s--pachanga Alegre, boogaloo soul, the Salsoul challenges. This history of the rise of Latin music in New York City should stimulate study of the cultural experiences, social identities, and aesthetic expressions of Latino diaspora populations in other parts of the world. Written in clear, simple prose, this book is for all who are interested in the history of Latin music or the social interaction between the Latino diaspora and US citizens in the New York City of the mid-20th century. --Choice


in this vividly narrated account he [Flores] narrows his focus from a wholesale history of so-called Latin music to a specific cultural moment in a single (albeit uniquely large and diverse) city ... most illuminating. Brian Morton, Times Literary Supplement


Author Information

Juan Flores is a Professor of Social and Cultural Analysis at NYU.

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