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OverviewFull Product DetailsAuthor: Simon MorrisonPublisher: University of California Press Imprint: University of California Press Edition: 2nd New edition Dimensions: Width: 15.20cm , Height: 2.80cm , Length: 22.90cm Weight: 0.635kg ISBN: 9780520305465ISBN 10: 0520305469 Pages: 328 Publication Date: 10 September 2019 Audience: Professional and scholarly , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: Out of stock ![]() The supplier is temporarily out of stock of this item. It will be ordered for you on backorder and shipped when it becomes available. Table of ContentsAcknowledgments A Note on Transliteration and Dates Introduction 1 • Decadence: Tchaikovsky at the Edge Interlude • Symbolism’s Nutcracker 2 • Syncretism: Rimsky-Korsakov and Belsky Interlude • Klara Milich 3 • Theurgy: Scriabin and the Impossible Interlude • Another Church Musician Writes an Opera 4 • Mimesis: Prokofiev’s Demons Conclusion Notes IndexReviewsMorrison's book has become a standard reading-list item and the accepted starting point for the researches of a new generation of graduate students. Ideas that were striking and fresh [when first published] have become common currency-a tribute to the book's success. * Journal of the American Musicological Society * Morrison draws on an impressive array of sources and disciplines.... His use of contemporary secondary sources is particularly effective, given his interest in the culture of reception. * Slavic Review * A rewarding and valuable study not only because of its insight and richness but also because of the accompanying reproductions of musical scores. * Slavic & East European Journal * Ploughs new ground. . . . A fascinating study [and] a challenging mixture of literary and musical analysis. * Opera Journal * Worth investigation by anyone interested in the culture of this period or the composers discussed. * Times Literary Supplement * “Worth investigation by anyone interested in the culture of this period or the composers discussed.” * Times Literary Supplement * “Ploughs new ground. . . . A fascinating study [and] a challenging mixture of literary and musical analysis.” * Opera Journal * “A rewarding and valuable study not only because of its insight and richness but also because of the accompanying reproductions of musical scores.” * Slavic & East European Journal * “Morrison draws on an impressive array of sources and disciplines…. His use of contemporary secondary sources is particularly effective, given his interest in the culture of reception.” * Slavic Review * “Morrison’s book has become a standard reading-list item and the accepted starting point for the researches of a new generation of graduate students. Ideas that were striking and fresh [when first published] have become common currency—a tribute to the book’s success.” * Journal of the American Musicological Society * Author InformationSimon Morrison is Professor of Music and Slavic Languages and Literatures at Princeton University. He is the author of Bolshoi Confidential, The People's Artist: Prokofiev’s Soviet Years, and Lina and Serge: The Love and Wars of Lina Prokofiev. Tab Content 6Author Website:Countries AvailableAll regions |