Russian Opera and the Symbolist Movement, Second Edition

Author:   Simon Morrison
Publisher:   University of California Press
Edition:   2nd New edition
ISBN:  

9780520305465


Pages:   328
Publication Date:   10 September 2019
Format:   Hardback
Availability:   Out of stock   Availability explained
The supplier is temporarily out of stock of this item. It will be ordered for you on backorder and shipped when it becomes available.

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Russian Opera and the Symbolist Movement, Second Edition


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Full Product Details

Author:   Simon Morrison
Publisher:   University of California Press
Imprint:   University of California Press
Edition:   2nd New edition
Dimensions:   Width: 15.20cm , Height: 2.80cm , Length: 22.90cm
Weight:   0.635kg
ISBN:  

9780520305465


ISBN 10:   0520305469
Pages:   328
Publication Date:   10 September 2019
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   Out of stock   Availability explained
The supplier is temporarily out of stock of this item. It will be ordered for you on backorder and shipped when it becomes available.

Table of Contents

Acknowledgments A Note on Transliteration and Dates Introduction 1 • Decadence: Tchaikovsky at the Edge Interlude • Symbolism’s Nutcracker 2 • Syncretism: Rimsky-Korsakov and Belsky Interlude • Klara Milich 3 • Theurgy: Scriabin and the Impossible Interlude • Another Church Musician Writes an Opera 4 • Mimesis: Prokofiev’s Demons Conclusion Notes Index

Reviews

“Worth investigation by anyone interested in the culture of this period or the composers discussed.” * Times Literary Supplement * “Ploughs new ground. . . . A fascinating study [and] a challenging mixture of literary and musical analysis.” * Opera Journal * “A rewarding and valuable study not only because of its insight and richness but also because of the accompanying reproductions of musical scores.” * Slavic & East European Journal * “Morrison draws on an impressive array of sources and disciplines…. His use of contemporary secondary sources is particularly effective, given his interest in the culture of reception.” * Slavic Review * “Morrison’s book has become a standard reading-list item and the accepted starting point for the researches of a new generation of graduate students. Ideas that were striking and fresh [when first published] have become common currency—a tribute to the book’s success.” * Journal of the American Musicological Society *


Morrison's book has become a standard reading-list item and the accepted starting point for the researches of a new generation of graduate students. Ideas that were striking and fresh [when first published] have become common currency-a tribute to the book's success. * Journal of the American Musicological Society * Morrison draws on an impressive array of sources and disciplines.... His use of contemporary secondary sources is particularly effective, given his interest in the culture of reception. * Slavic Review * A rewarding and valuable study not only because of its insight and richness but also because of the accompanying reproductions of musical scores. * Slavic & East European Journal * Ploughs new ground. . . . A fascinating study [and] a challenging mixture of literary and musical analysis. * Opera Journal * Worth investigation by anyone interested in the culture of this period or the composers discussed. * Times Literary Supplement *


Author Information

Simon Morrison is Professor of Music and Slavic Languages and Literatures at Princeton University. He is the author of Bolshoi Confidential, The People's Artist: Prokofiev’s Soviet Years, and Lina and Serge: The Love and Wars of Lina Prokofiev.

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