Rubens and the Eloquence of Drawing
Author:   Catherine H. Lusheck
Publisher:   Taylor & Francis Ltd
ISBN:  

9781472477125


Pages:   344
Publication Date:   07 August 2017
Format:   Hardback
Availability:   In Print   Availability explained
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Rubens and the Eloquence of Drawing


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Full Product Details

Author:   Catherine H. Lusheck
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Weight:   0.952kg
ISBN:  

9781472477125


ISBN 10:   147247712
Pages:   344
Publication Date:   07 August 2017
Audience:   College/higher education ,  Professional and scholarly ,  Tertiary & Higher Education ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

List of Illustrations Acknowledgements Prologue: Rubens’s Early Drawings and the Problem of Eclecticism PART I: DRAWING IN CONTEXT Chapter 1 – Setting the Stage: Privileging Eloquent Disegno in Rubens's Early Drawings Chapter 2 – Style and Eloquence in Rubens’s Milieu PART II: CASE STUDIES IN GRAPHIC ELOQUENCE Chapter 3 – The Getty Medea and Rubens’s Making of a Modern Senecan Grande Âme Chapter 4 – Figuring Eloquence: The Kneeling Man and Rubens’s Construction of the Robust Male Nude Bibliography Index of Works Index

Reviews

Lusheck's study is well informed and will provide a welcome introduction for new students of Rubens's philosophical background. - Veronika Korbei, Historians of Netherlandish Art Reviews


Lusheck's study is well informed and will provide a welcome introduction for new students of Rubens's philosophical background. - Historians of Netherlandish Art Reviews


Author Information

Catherine Lusheck (PhD, UC Berkeley), is Associate Professor of Art History at the University of San Francisco. Her research interests include Rubens drawings, and early modern humanism, style, and visual rhetoric. Her publications include ""Content in Form: Rubens's Kneeling Man and the Graphic Reformation of the Ideal, Robust Male Nude,"" Jaarboek Koninklijk Museum voor Schone Kunsten Antwerpen (2000), and a forthcoming essay, ""Leonardo’s Brambles and their Afterlife in Rubens’s Studies of Nature.""

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