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OverviewFull Product DetailsAuthor: Carol Silverman (Professor of Cultural Anthropology and Folklore and Head of the Department of Anthropology, University of Oregon)Publisher: Oxford University Press Inc Imprint: Oxford University Press Inc Dimensions: Width: 16.10cm , Height: 2.60cm , Length: 23.40cm Weight: 0.638kg ISBN: 9780199358847ISBN 10: 0199358842 Pages: 438 Publication Date: 26 June 2014 Audience: College/higher education , Postgraduate, Research & Scholarly , Postgraduate, Research & Scholarly Format: Paperback Publisher's Status: Active Availability: Manufactured on demand ![]() We will order this item for you from a manufactured on demand supplier. Table of ContentsTable of Contents Acknowledgements Notes on Transliteration Guide to the Website (video examples, audio examples, photographs, and text supplements) List of Figures Part I: Introduction Chapter 1: Balkan Roma: History, Politics, and Performance Chapter 2: Musical Styles and Genres Chapter 3: Dilemmas of Diaspora, Hybridity, and Identity Part II: Music in Diasporic Homes Chapter 4: Transnational Families Chapter 5: Transnational Celebrations Chapter 6: Transnational Dance Part III Music, States, and Markets Chapter 7: Dilemmas of Heritage and the Bulgarian Socialist State Chapter 8: Cultural Politics of Postsocialist Markets and Festivals Chapter 9: Bulgarian Pop/folk: Chalga Part IV: Musicians in Transit Chapter 10: Esma Red%zepova: Queen of Gypsy Music Chapter 11: Yuri Yunakov: Saxophonist, Refugee, Citizen Chapter 12: Romani Music as World Music Chapter 13: Collaboration, Appropriation, and Transnational Flows References CitedReviewsA masterpiece! Silverman's work is of tremendous importance for anyone interested in the Romani people, the Balkans, and also anthropology, ethnology, gender, music, performance, creativity, diasporas, and the nature of life as it is lived. --Victor A. Friedman, Andrew W. Mellon Professor in the Humanities, University of Chicago Carol Silverman's book addresses the central question of how a group can be reviled and its music adored. This theoretically masterful, ethnographically rich account of Romani music offers new insights into the culture of a diasporic, marginalized group through a compelling account of the challenges musicians face to change and sustain traditions in multiple contexts including socialist and post-socialist state politics. It is crucial reading for anyone interested in human rights and cultural identity. - -Amy Shuman, Professor of Folklore, The Ohio State University Silverman's book features a superb companion web page with photographs and video clips that illustrate many of her points...Highly recommended. --Choice Carol Silverman does not disappoint with this long-awaited volume, a synthesis of a lifetime of research. Romani Routes is a recommended read for students interested in Romani music and a welcome complement to ethnomusicological literature on the Balkans. --Ethnomusicology A masterpiece! Silverman's work is of tremendous importance for anyone interested in the Romani people, the Balkans, and also anthropology, ethnology, gender, music, performance, creativity, diasporas, and the nature of life as it is lived. --Victor A. Friedman, Andrew W. Mellon Professor in the Humanities, University of Chicago Carol Silverman's book addresses the central question of how a group can be reviled and its music adored. This theoretically masterful, ethnographically rich account of Romani music offers new insights into the culture of a diasporic, marginalized group through a compelling account of the challenges musicians face to change and sustain traditions in multiple contexts including socialist and post-socialist state politics. It is crucial reading for anyone interested in human rights and cultural identity. - -Amy Shuman, Professor of Folklore, The Ohio State University Silverman's book features a superb companion web page with photographs and video clips that illustrate many of her points...Highly recommended. --Choice Author InformationCarol Silverman, Professor of Anthropology and Folklore at the University of Oregon, has been involved with Romani culture for over 25 years as a researcher, teacher, activist, and performer. Her numerous articles have appeared in anthropology, folklore, ethnomusicology, and cultural studies publications. Tab Content 6Author Website:Countries AvailableAll regions |