Rodney Smith: Photography Between Real and Surreal
Author:   Anne Morin
Publisher:   Silvana
ISBN:  

9788836658879


Pages:   170
Publication Date:   25 September 2025
Format:   Hardback
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

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Rodney Smith: Photography Between Real and Surreal


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Full Product Details

Author:   Anne Morin
Publisher:   Silvana
Imprint:   Silvana
Dimensions:   Width: 28.00cm , Height: 2.10cm , Length: 24.00cm
Weight:   1.340kg
ISBN:  

9788836658879


ISBN 10:   8836658873
Pages:   170
Publication Date:   25 September 2025
Audience:   General/trade ,  General
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.
Language:   English, Italian

Table of Contents

14 Il paradosso di Rodney Smith 17 The Paradox of Rodney Smith Leslie Smolan 18 Visioni cinematografiche 21 Cinematic Visions Susan Bright 36 L’architettura dell’aria 39 The Architecture of Air Anne Morin 51 Fotografia tra reale e surreale Photography between real and surreal 52 La divina proporzione The Divine Proportion 68 Gravità Gravity 82 Spazi eterei Ethereal Spaces 96 Attraverso lo specchio Through the Looking-Glass 110 Il tempo e la permanenza Time and Permanence 124 Luce Light 138 Passaggi Passages 153 Apparati Appendix 154 Opere in mostra Exhibition checklist 162 Cronologia 163 Chronology 167 Gli autori Contributors

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Author Information

Anne Morin is a graduate of the École Nationale de Photographie d’Arles and the École Supérieure des Beaux-Arts de Montpellier. She worked for the PHotoEspaña Festival between 2001 and 2004, before becoming the head of diChroma Photography (Madrid), a company specialising in international travelling photographic exhibitions, as well as in the development and production of cultural projects. From time to time she also reinvents herself as a publisher of photography books, and edited books such as Antonio Lopez, Visionary Writing, Margaret Watkins Black Light, or Paul Alexandre Slowness. She has curated many exhibitions of prestigious photographers and artists.

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