Rocket States: Atomic Weaponry and the Cultural Imagination

Author:   Dr. Fabienne Collignon (University of Sheffield, UK)
Publisher:   Bloomsbury Publishing Plc
ISBN:  

9781623560041


Pages:   192
Publication Date:   25 September 2014
Format:   Hardback
Availability:   Manufactured on demand   Availability explained
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Rocket States: Atomic Weaponry and the Cultural Imagination


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Overview

Rocket States crosses the disciplines of Cold War Studies, American Literature, American Studies and Cultural Studies. The particular attraction of this study lies in the combination of its range—close textual and visual analysis of the correlations between land and weaponry, set firmly within its political and cultural contexts—with its unique analytical approach. The book offers a synthesis between history, theories of technology, theories of space, popular culture, literary study and military science. It illuminates a variety of literary texts from key writers and thinkers such as Pynchon, Stephen King, Norman Mailer, and Tom Wolfe, while also invoking figures like Nikola Tesla, James Webb, Batman and Ronald Reagan. Organised topographically, according to how missile technology manifests itself differently in particular locations, Rocket States's geographical targets are Colorado, Kansas, Cape Canaveral and New York, variously titled 'Excavation', 'Preservation', 'Evacuation' and 'Transmission'. It advances through these states roughly chronologically, beginning in the late 1940s and early 1950s and coming to an end in the first part of the 21st century. Collignon's argument is concerned with identifying the recurring figures and fantasies of the Cold War: the dome or parabola as sheltering techno-form; the fictions of total security adapting to constantly changing targeting strategies; gadget love; closed, freezing worlds. As such, Rocket States analyses by what processes the Cold War is frequently literalised in its weapons installations and how these facilities, in turn, shape dreams of containment, survival, escape and techno-supremacy.

Full Product Details

Author:   Dr. Fabienne Collignon (University of Sheffield, UK)
Publisher:   Bloomsbury Publishing Plc
Imprint:   Bloomsbury Academic USA
Dimensions:   Width: 15.20cm , Height: 1.80cm , Length: 22.90cm
Weight:   0.426kg
ISBN:  

9781623560041


ISBN 10:   1623560047
Pages:   192
Publication Date:   25 September 2014
Audience:   General/trade ,  College/higher education ,  Professional and scholarly ,  General ,  Tertiary & Higher Education
Format:   Hardback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

Table of Contents

Introduction Rise of the Machines (Nuclear) Enclosures Chapter 1: Excavation Colorado Masks Batteries in the Earth Gold, Dust Chapter 2: Preservation Kansas Bright/EMPTINESS The 98th Meridian Feed Lots ICBM, The Beginning The Cult of Future Death Chapter 3: Evacuation Cape Canaveral Report from An Obscure Planet Vorrichtung fur die Isolierung Terminal Designs Chapter 4: Transmission New York Steel Machines Twins Our Own Little Deterrent Death-Rays Bibliography Index

Reviews

Rocket States is a fascinating study of how cultural fantasy shaped-and continues to shape-the U.S. security state. Fabienne Collignon reads the technological infrastructure of the Cold War as the product of a national dream-work, deeply influenced by collective desires and anxieties. With careful attention to military artifacts-from radar and weapons systems to rockets, satellites, lasers, and information networks-she reveals the lines of force running through an impressive array of narratives, theories, films, and cultural icons. The result is a compelling vision of the bizarre psychodynamics of a deadly serious episode in U.S. history. Timothy Melley, Professor of English, Miami University, USA, and author of The Covert Sphere: Secrecy, Fiction, and the National Security State


Author Information

Fabienne Collignon is Lecturer in Contemporary Literature at the University of Sheffield, UK. She has published articles on American techno-culture and machine aesthetics in journals such as C-Theory, Configurations, and Textual Practice.

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