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OverviewThis book is a historical and discursive study of rock poetry produced in Argentina, during the “transition to democracy”, in the eighties. Lucas R. Berone analyzes the lyrics and albums of a heterogeneous group of Argentine rock artists and bands, who began their career at that time, with the purpose of demonstrating the emergence and functioning of a new grammar of discursive production, which he terms the “grammar of the incognitus (or hidden) subject”. This grammar is, when compared to the traditional “counterculture” rock discourse, a very specific and distinct way of elaborating the enunciative relationship between the artist and his audience. The author asserts that the new discursive grammar, focused on the singularity of the present and the “self,” will produce the last important revolution in the tradition of the so-called “rock nacional”; motivating critical responses in the leaders of the movement. Full Product DetailsAuthor: Lucas R. Berone , Pablo Vila , Claudia A. VulcanoPublisher: Lexington Books Imprint: Lexington Books/Fortress Academic ISBN: 9781666928884ISBN 10: 1666928887 Pages: 226 Publication Date: 15 June 2024 Audience: Professional and scholarly , Professional & Vocational Format: Hardback Publisher's Status: Forthcoming Availability: Not yet available  This item is yet to be released. You can pre-order this item and we will dispatch it to you upon its release. Table of ContentsChapter 1. About Rock, Politics, and Literature Chapter 2. Methodological Considerations Chapter 3. The First Cases. A New Orthodoxy is Born, at Present and in the First Person Chapter 4. Towards a New Production Grammar: Constitution of the Incognitus Subject Chapter 5. The Discourses / the Questions of the Founding Fathers Chapter 6. Discourses / Responses of Resistance and Counter-HegemonyReviewsAuthor InformationLucas R. Berone is professor of semiotics at the Autonomous University of Entre Ríos. Tab Content 6Author Website:Countries AvailableAll regions |
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