Rock Music in Performance
Author:   D. Pattie
Publisher:   Palgrave Macmillan
Edition:   1st ed. 2007
ISBN:  

9781349524358


Pages:   188
Publication Date:   23 October 2007
Format:   Paperback
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

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Rock Music in Performance


Overview

In this new study, David Pattie examines the apparent contradiction between authenticity and theatricality in the live performance of rock music, and looks at the way in which various performers have dealt with this paradox from rock music's early development in the 1960s up to the present day.

Full Product Details

Author:   D. Pattie
Publisher:   Palgrave Macmillan
Imprint:   Palgrave Macmillan
Edition:   1st ed. 2007
Dimensions:   Width: 14.00cm , Height: 1.10cm , Length: 21.60cm
Weight:   0.454kg
ISBN:  

9781349524358


ISBN 10:   1349524352
Pages:   188
Publication Date:   23 October 2007
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

Table of Contents

Introduction PART 1: PERFORMANCE AND THE PRACTICE OF AUTHENTICITY 4:Real: Performance and Authenticity Performance and Mediation: Performance, Space and Technology Performance, Gender and Rock Music PART 2: PERFORMANCE, AUTHENTICITY AND HISTORY The 1960s The 1970s The 1980s The 1990s The 21st Century Bibliography DVD List Video List Websites Index

Reviews

'Rock Music in Performance is an engaging and thought-provoking book that should appeal to scholars in a number of disciplines. David Pattie shows careful consideration of popular music theory and a clear command of much popular music history.' - Timothy J. Dowd, Boekman


Author Information

DAVID PATTIE is Reader in Drama and Theatre Studies at the University of Chester, UK. He is the author of The Complete Critical Guide to Samuel Beckett (2001), and has published widely on contemporary performance, popular culture, and popular music.

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