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OverviewFull Product DetailsAuthor: Kurt TorellPublisher: Lexington Books Imprint: Lexington Books Dimensions: Width: 16.00cm , Height: 2.10cm , Length: 22.80cm Weight: 0.476kg ISBN: 9781793655639ISBN 10: 1793655634 Pages: 190 Publication Date: 17 March 2022 Audience: Professional and scholarly , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: In Print ![]() This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsReviewsA serious academic analysis of the contradictions between rock’s commercialism and its spirit of countercultural resistance. Writing in the tradition of Michael Lydon, Paul Hirsch, and Serge Denisoff, Torell connects the vexed marriage of authenticity and imitation in American popular culture to larger issues in western philosophy and art. This book reaches far beyond rock and social protest, too: important reading for those also interested in the commodification of folk, punk, and hip hop. -- Granville Ganter, Associate Professor of English, St. John's University Was rock music subversive? Conservatives certainly thought so, and the counterculture's spirit of rebellion can't be understood apart from its soundtrack. Yet as Kurt Torell shows, mainstream institutions, practices, and pressures shaped the production and consumption of rock music at every turn. What emerges from his study is a deep and productive tension between the media and the message. -- Peter Richardson, San Franscisco State University A serious academic analysis of the contradictions between rock's commercialism and its spirit of countercultural resistance. Writing in the tradition of Michael Lydon, Paul Hirsch, and Serge Denisoff, Torell connects the vexed marriage of authenticity and imitation in American popular culture to larger issues in western philosophy and art. This book reaches far beyond rock and social protest, too: important reading for those also interested in the commodification of folk, punk, and hip hop. -- Granville Ganter, Associate Professor of English, St. John's University Was rock music subversive? Conservatives certainly thought so, and the counterculture's spirit of rebellion can't be understood apart from its soundtrack. Yet as Kurt Torell shows, mainstream institutions, practices, and pressures shaped the production and consumption of rock music at every turn. What emerges from his study is a deep and productive tension between the media and the message. -- Peter Richardson, San Franscisco State University Author InformationKurt Torell is associate professor of philosophy at The Pennsylvania State University. Tab Content 6Author Website:Countries AvailableAll regions |