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Full Product Details

Author:   Brett Martz ,  Todd Cesaratto
Publisher:   Peter Lang AG, Internationaler Verlag der Wissenschaften
Imprint:   Peter Lang AG, Internationaler Verlag der Wissenschaften
Edition:   New edition
Volume:   17
Weight:   0.342kg
ISBN:  

9783034321150

ISBN 10:   3034321155
Pages:   238
Publication Date:   21 March 2018
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print  
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Table of Contents

Birthe Hoffmann: Eine menschliche Moderne? Robert Musils Versuch einer neuen Synthese auf dem Boden der Gestaltpsychologie – Sergej Rickenbacher: Von der Gefühlspsychologie zur Poetologie der ‚Stimmung‘. Musils Weiterschreiben von Carl Stumpf – Agnieszka Hudzik: Musil wiederbegegnet: Verführung als Interpretationsinstrument in «Vereinigungen» – Friederike Schläfer: «...sie fühlten alle diesen Dritten um sich stehen» Wie sich die Figur des Dritten zur Liebe verhält in Robert Musils Frühwerk – Florence Vatan: Statistics and the Novel: Robert Musil and Richard von Mises – Salvatore Pappalardo: Habsburg Loyalties as Intellectual Affinities: Non-National Allegiances in Robert Musil and Bernard Bolzano – Brett Martz: Der Fall Homo: Musil’s «Grigia» and Nietzsche’s «Der Fall Wagner» – Todd Cesaratto: Humor, Musil + the Romantics

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Author Information

Brett Martz is an Assistant Professor of German and Program Coordinator of Modern Languages at Longwood University in Farmville, Virginia. He serves as the current president of the Virginia Chapter of the American Association of Teachers of German. He has published or presented on reader response as well as the relationships between literature and science. Todd Cesaratto moved to Vienna, after two Visiting Assistant Professorships in the U.S., to work as Senior Communications Manager for Mondi, a global packaging and paper company. Walking the streets Musil once did, he continues writing about the positive outcomes that a sense of possibility, humor, and heroism make possible.

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