Ritual Meanings in the Fifteenth-Century Motet
Author:   Robert Nosow
Publisher:   Cambridge University Press
ISBN:  

9781316639559


Pages:   292
Publication Date:   02 February 2017
Format:   Paperback
Availability:   Manufactured on demand   Availability explained
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Ritual Meanings in the Fifteenth-Century Motet


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Author:   Robert Nosow
Publisher:   Cambridge University Press
Imprint:   Cambridge University Press
Dimensions:   Width: 17.00cm , Height: 1.50cm , Length: 24.50cm
Weight:   0.520kg
ISBN:  

9781316639559


ISBN 10:   131663955
Pages:   292
Publication Date:   02 February 2017
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

Table of Contents

Introduction; 1. Motets in the chronicles of Henry V; 2. The motet as ritual; 3. Processions in the Veneto; 4. The motet as ritual embassy; 5. Motets for the citizens of Bruges; 6. Contemplation; 7. The canons of Cambrai; 8. The dialogic motet; Appendix A. Accounts of Santa Maria dei Battuti; Appendix B. Foundations and charters at Bruges; Appendix C. Foundations at Cambrai cathedral.

Reviews

'... the study enlarges our understanding of music's role in ritual and broadens our view of the individuals involved in every musical enterprise.' Renaissance Quarterly


'Informative, thoroughly researched, and skillfully presented.' Choice '... the study enlarges our understanding of music's role in ritual and broadens our view of the individuals involved in every musical enterprise.' Renaissance Quarterly 'This book is a wonderful contribution to musicological scholarship that has the potential to move the discourse on late medieval music forward in interesting and productive ways.' Elizabeth Randell Upton, The Medieval Review


Author Information

Robert Nosow has published widely on fifteenth-century Latin polyphony and the relationship of written and oral traditions in the performance of Italian poetry. His writing has appeared in many publications including The New Grove, the Journal of Musicology, Early Music History and Musical Quarterly. He also edited the first scholarly edition of the three 'Concertos for Violoncello' of C. P. E. Bach.

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