Overview

A room in a pub. Some musicians facing each other. They play well-known traditional Irish tunes on flutes, tin whistles, and fiddles. Every musician plays the melodic line adding her own variations and grace notes. Some musicians are just listening; others are cracking jokes. The crowd nearby is composed of friends, occasional patrons, a regular audience, and curious tourists. Some seem not to care; some come closer to listen or perhaps even participate. This is called a ""session"". From an anthropological point of view, sessions are not just a musical environment. They are a combination of social interactions, suggesting specific dynamics between community, subjects and cultural items.A scene like that can be found the world over, from Dublin to Boston and Rome. During the last forty years the practices and the appreciation of this particular music, and of this particular setting, have moved decisively from local arenas into the global marketplace. A transnational perspective is, therefore, necessary.As such, this book will appeal to a very wide range of readers, from musicians and aficionados to scholars and students.

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9781527539549

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Reviews

This book is wide-ranging and, as a work of anthropology, it has a lot going on. [Ferraiuolo] does two things particularly well, I think. First, through a thorough literature review and several interviews, the author documents what sessions are, in both historical perspective and contemporary practice. Attention is paid to music making in different time periods and geographic locations which illustrate the different ways session playing happens. Second, he provides some nice ethnographic moments about music making in Boston. Accounts such as these are important for understanding a given moment in the life of a music (or its constituent community) and allows others to read through the research, to ask new questions and to pinpoint the recognizable elements that sessions - regardless of location - share. Finding the right balance in this respect can be challenging, but Ferraiuolo has found a path that works for him. [Readers] interested in a deep philosophical dive into the meaning of traditional music sessions will find this an interesting text. Daniel NeelyThe Irish Echo, September 2020

Author Information

Augusto Ferraiuolo is a Lecturer and Visiting Scholar at the Department of Anthropology of Boston University. His work focuses on ritual and performances in a transnational and diasporic perspective. He published several books and articles in both English and Italian, including The Tammorra: Dance and Music of Southern Italy (2016) and Religious Festive Practices in Boston's North End: Ephemeral Identities in an Italian-American Community (2009). He also served as a consultant for the edited Alan Lomax: Italian Treasury: Folk Music and Song of Italy (1999). Since 2011, he has been the Director of the Intimate Lens International Ethnographic Film Festival. He is also a musician who has performed in many sessions in Ireland, Italy, and the USA. His most recent recording is Riverrun, with the Irish-Italian band àr meitheal.

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