Overview

Robert Couzin’s Right and Left in Early Christian and Medieval Art is the first in-depth study of handedness, position, and direction in the visual culture of Europe and Byzantium from the fourth to the fourteenth century. Heretofore largely unnoticed or ignored, the pre-eminence of the right and lapses or intentional departures from that norm in medieval imagery are relevant to such major themes as iconography, visuality, reception, narrative, form, gender, production, and patronage. The author’s investigation of right and left in visual culture is informed by modern experimental research on laterality and contextualized within prevailing theological doctrines and socio-cultural practices. Illustrations in the text are complemented by hundreds more made available on Brill's Arkyves platform here. See inside the book.

Full Product Details

Author:   Robert Couzin
Publisher:   Brill
Imprint:   Brill
Volume:   16
Weight:   0.732kg
ISBN:  

9789004448254

ISBN 10:   900444825
Pages:   300
Publication Date:   04 March 2021
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   Available To Order  
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Table of Contents

List of Illustrations Abbreviations Introduction: The Pre-Eminence of the Right  1 On Human Handedness  2 The Sublimation of Right and Left  3 Historiography  4 Plan of the Work Part 1: The Right Hand 1 Picturing Handedness 2 The Hand of God  1 The Great Right Hand  2 The Other Hand of God  3 God in the Image of Man 3 Fighting and Writing  1 Handedness and Violence  2 Handedness and the Scribe  3 The Pen and the Sword 4 A Digression on Feet  1 Stepping Up to the Altar  2 Figures in Motion  3 Footwashing  4 The Three-Nail Crucifixion Part 2: The Right Side 5 Picturing Position 6 Peter and Paul in Early Christian Art  1 Double Portraits of the Chief Apostles  2 Peter, Paul, and Jesus  3 The Politics of Apostolic Precedence 7 Spouses: The Place of Gender  1 Early Christian Men on the Left  2 Medieval Men on the Right  3 Transgression: Medieval Women on the Right  4 The Coronation of the Virgin: Sponsa on the Right Part 3: The Right Way 8 The Pythagorean Y  1 The Two Ways: Pythagoras and Matthew  2 Erlangen Universitätsbibliothek, Ms. 8, fol. 130v  3 The Pilgrim’s Choice  4 A Matter of Mentality 9 Sacred Movement  1 Depicted Motion in Latin- and Greek-Language Cultures  2 The Syriac and Hebrew Evidence  3 Conclusions 10 Narrative Sequence  1 Script Direction and Pictorial Programming  2 Linear Programs and the Puzzle of Bernward’s Column Epilogue  1 Misapprehension  2 Inattention  3 Disinterest  4 Future Directions Bibliography Index

Reviews

Dans cet ouvrage, Robert Couzin s'interroge sur les relations entre la gauche et la droite et leur capacite a sous-tendre la composition de l'image medievale. Le corpus iconographique rassemble par l'auteur est varie, reunissant differentes techniques et divers supports, autant en Orient qu'en Occident, le tout sur une periode d'environ mille ans. [...] R. Couzin propose une etude originale qui eclaire differemment des aspects compositionnels et semantiques de l'image paleochretienne et medievale en s'attachant aux relations entre la gauche et la droite. Au-dela d'une reflexion sur les enjeux de la preeminence du cote droit dans l'art medieval, l'auteur met en lumiere tout un jeu de relations, jusqu'ici peu examine sous cet angle, entre les figures, les gestes, les objets et les inscriptions dans l'image. Raphael Demes, in Francia 2022 (1). In this fascinating, well detailed, and richly illustrated study, Robert Couzin examines the significance of right- or left-handedness in eastern and western Christian visual art from the fourth through the fourteenth century.[...] The closing pages of the book strongly advocate the value of the study and criticize art historians who are inattentive to the significance of right and left. Couzin equates that inattention with failing to notice such other features as use of materials, application of color,or differences in style or technique. Couzin further laments that the matters he discusses have gonelargely unnoticed and are underappreciated when they are noticed (242). His case is well made, even if it makes a somewhat contentious final statement. Thankfully,with the publication of this erudite and detailed volume, that nolonger can be said. Robin M. Jensen, University of Notre Dame, in The Medieval Review 22.01.2022

Author Information

Robert Couzin, Ph.D. (University of Toronto, 2013), is a second-career scholar of early Christian and medieval art history. He has published on a wide range of topics, from sarcophagi to the historiography of Latin neologisms.

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