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OverviewFull Product DetailsAuthor: David J. LevinPublisher: Princeton University Press Imprint: Princeton University Press Edition: New edition Volume: 14 Dimensions: Width: 15.20cm , Height: 1.50cm , Length: 23.50cm Weight: 0.340kg ISBN: 9780691049717ISBN 10: 0691049718 Pages: 224 Publication Date: 19 December 1999 Audience: Professional and scholarly , College/higher education , Professional & Vocational , Tertiary & Higher Education Format: Paperback Publisher's Status: Active Availability: Manufactured on demand We will order this item for you from a manufactured on demand supplier. Language: English Table of ContentsList of IllustrationsPrefaceCh. 1Representation's Bad Object: The Nibelungen, Aggression, and Aesthetics3Ch. 2Where Narration Was, There Darstellung Shall Be: Wagner and the Scene of Narration30Ch. 3Viewing with a Vengeance: The Dramaturgy of Appearances in Fritz Lang's Siegfried96Postscript: Disavowal and Figuration: The Nibelungen after the Third Reich141Notes151Works Cited189Index199ReviewsThis is a smart and thoroughly absorbing book. Its focus is not on a single genre but on the uses that have been made of the Nibelung legend to help shape German national and cultural identity... A subtly argued study of how the works under consideration 'render their politics in an aesthetic register.' -- Herbert Lindenberger, Quarterly Journal of the Modern Language Association [David J. Levin] deftly executes his readings of Wagner and Lang, and the book's keen, unencumbered prose and practicable assessments ... perhaps a partial dividend of its author's work as Dramaturg at the Frankfurt Opera ... encourages the broad readership of this study. -- Kelly Barry, Modern Language Notes Richard Wagner, Fritz Lang, and the Nibelungen engages in close textual readings in order to shed light on much larger cultural issues and fault lines... This brief summary can barely do justice to the richness and originality of Levin's many brilliant interpretive moves. -- Lutz Koepnick, Modernism/Modernity This is a smart and thoroughly absorbing book. Its focus is not on a single genre but on the uses that have been made of the Nibelung legend to help shape German national and cultural identity... A subtly argued study of how the works under consideration 'render their politics in an aesthetic register.' -- Herbert Lindenberger Quarterly Journal of the Modern Language Association [David J. Levin] deftly executes his readings of Wagner and Lang, and the book's keen, unencumbered prose and practicable assessments ... perhaps a partial dividend of its author's work as Dramaturg at the Frankfurt Opera ... encourages the broad readership of this study. -- Kelly Barry Modern Language Notes Richard Wagner, Fritz Lang, and the Nibelungen engages in close textual readings in order to shed light on much larger cultural issues and fault lines... This brief summary can barely do justice to the richness and originality of Levin's many brilliant interpretive moves. -- Lutz Koepnick Modernism/Modernity This is a smart and thoroughly absorbing book. Its focus is not on a single genre but on the uses that have been made of the Nibelung legend to help shape German national and cultural identity... A subtly argued study of how the works under consideration 'render their politics in an aesthetic register.' -- Herbert Lindenberger Quarterly Journal of the Modern Language Association [David J. Levin] deftly executes his readings of Wagner and Lang, and the book's keen, unencumbered prose and practicable assessments ... perhaps a partial dividend of its author's work as Dramaturg at the Frankfurt Opera ... encourages the broad readership of this study. -- Kelly Barry Modern Language Notes Richard Wagner, Fritz Lang, and the Nibelungen engages in close textual readings in order to shed light on much larger cultural issues and fault lines... This brief summary can barely do justice to the richness and originality of Levin's many brilliant interpretive moves. -- Lutz Koepnick Modernism/Modernity Author InformationDavid J. Levin is Associate Professor of Germanic Languages and Literature at the University of Chicago. He is the editor of Opera Through Other Eyes. In addition to his academic work, he has served as a dramaturg at the Frankfurt Opera, the Bremen Opera, and the Frankfurt Ballet. Tab Content 6Author Website:Countries AvailableAll regions |
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