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The ideas that are sewn into the textile of her writing like a multitude of small mirrors give her essays their many sided appeal. The mirrors--of the art she looks at, the writers she quotes, ideas from her other books--are worth exploring; the complexities rewarding. --Roald Hoffmann, Cornell University This book is required reading for all of us who are reinventing the arts and sciences for the 21st century. Stafford, offering both a deep scholarly look back and a thoughtful look forward, calls for the resurgence of 'an artful experimental science.' She argues for those working in the arts and humanities to find common ground with those in the sciences, engineering, and medicine. This is a must read for revitalizing transdisciplinary scholarship. --Roger Malina, The University of Texas at Dallas Within the many brilliant facets of this crystalline text, the authorial flame illuminates a cavern of conceptual riches, casting shadows from the aesthetic heights, to the deepest, darkest burrows of mind, technoesis, and biosensibility. I was entranced, challenged, and enlightened. --Roy Ascott, artist Stafford is one of the great figures of the late twentieth century who has brought rigorous historical methodologies to bear on a critical engagement with visual culture. As a conventionally trained art historian, her books have tackled the big subjects in the arts and humanities of the body, medicine, science and consciousness in ways that are quite distinct from the generality of loosely moored speculation based on flimsy or highly selective evidence that characterised much that was published on those topics at the time. Her books carefully arranged material with a dogged precision in a way that insisted on the careful attention of the reader. Her formidable range and intellectual style were such that the reader became a collaborator in an enquiry at the very edge of current understanding. --Leonardo Stafford has given us fascinating new insights into the histories of art, science, and media--again enlightening for the understanding of our times. Ribbon of Darkness is excellent research, a great read, and a must on the bookshelf. --Oliver Grau, Danube University Ribbon of Darkness is at once an account of the intellectual quest and of the invisible thread running through the author's entire oeuvre and a thought-provoking account of the epistemic challenge to the arts and sciences by the 'veiled behavior of matter.' True to style, Stafford has directed a bright light to blend out the future of arts and science. Hugely readable, sharp in observations and penetrating in its account of contemporary images, the essays are the essential tooling for the arts and science of our time. --Susanne Kuechler, University College London

The ideas that are sewn into the textile of her writing like a multitude of small mirrors give her essays their many sided appeal. The mirrors--of the art she looks at, the writers she quotes, ideas from her other books--are worth exploring; the complexities rewarding. --Roald Hoffmann, Cornell University

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Barbara M. Stafford is William B. Ogden Distinguished Service Professor Emeritus of art history at the University of Chicago. She is the author of many books, including Echo Objects, also published by the University of Chicago Press.

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