Overview

This essay collection proposes that G.W.M. Reynolds’s contribution to Victorian print culture reveals the interrelations between authorship, genre, and radicalism in popular print culture of the nineteenth century. As a best-selling author of popular fiction marketed to the lower classes, and a passionate champion of radical politics and ""the industrious classes,"" Reynolds and his work demonstrate the relevance of Victorian Studies to topics of pressing contemporary concern including populism, working-class fiction, the concept of ‘originality’, and the collective scholarly endeavour to ‘widen’ and ‘undiscipline’ Victorian Studies. Bringing together well-known and newly-emerging scholars from across different disciplinary perspectives, the volume explores the importance of Reynolds Studies to scholarship on the nineteenth-century. This book will appeal to students and scholars of the nineteenth-century press, popular culture, and of authorship, as well as to Victorian Studies scholars interested in the translation of Victorian texts into new and indigenous markets.

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9780367715434

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Jennifer Conary is Associate Professor of English at DePaul University, Chicago, USA, and author of numerous articles on Victorian literature and culture. Mary L. Shannon is a Senior Lecturer in English Literature at the University of Roehampton, London, UK, author of Dickens, Reynolds and Mayhew on Wellington Street: the Print Culture of a Victorian Street (2015), and co-editor of Romanticism and Illustration (2019), with Ian Haywood and Susan Matthews. She is currently working on her second book, Billy Waters is Dancing: How One Black Sailor Found Fame in Regency and Victorian Britain.

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