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OverviewAn international movement that developed along separate but parallel lines in Europe and America during the 1970s, Conceptual art grew out of the legacy of the Surrealist Marcel Duchamp. Aiming to completely redefine the relationships between the production, definition and owndership of artworks and their various audiences, Conceptual artists rejected traditional formats, media and definitions. Instead they chose to address some of the key issues underlying modern life and art. These included the gulf between initial idea and finished work, the value assigned to works of art in modern economies, the role of women and of feminine creativity in general, the politics of exhibition organization - in short, the ways art and the art world have been defined for centuries. Among the notable figures whose work is discussed in essays ranging from the evaluative to the theoretical are Judy Chicago, Robert Morris, Sol Le Witt, Marcel Broodthaers, Mary Kelly and Lawrence Wiener. The influence of Conceptual art continues to be felt by the work of such controversial young artists as Rachel Whiteread and Damien Hirst. Investigating and documenting the histories, themes, theories and forms of Conceptual Art, this text argues forcefully for its vitality and potential as well as examining its influence on today's contemporary art. Full Product DetailsAuthor: Jon Bird , Michael NewmanPublisher: Reaktion Books Imprint: Reaktion Books Dimensions: Width: 15.60cm , Height: 2.60cm , Length: 23.40cm Weight: 0.526kg ISBN: 9781861890528ISBN 10: 1861890524 Pages: 264 Publication Date: 01 October 1999 Audience: College/higher education , Undergraduate Format: Paperback Publisher's Status: Out of Print Availability: Awaiting stock ![]() Table of ContentsReviewsRewriting Conceptual Art is a valuable contribution to knowledge about some recent art and artists, and constructs along the way a useful history of the post-1960s art world. * <i>Art Monthly</i> * The book is exemplary, not least for combining important new research with critical insights into both the reception and subsequent impact of Conceptualism in its diverse manifestations. * <i>Tate Magazine</i> * Author InformationJon Bird (Anthology Editor) Jon Bird is Professor of Art and Critical Theory at Middlesex University and a tutor in the Theory Department at the Jan van Eyck Acadamie, Maastricht. He has edited Rewriting Conceptual Art (1999) and Otherworlds: The Art of Nancy Spero and Kiki Smith (2003), both published by Reaktion. He is the author of the critical monograph Leon Golub: Echoes of the Real (Reaktion, 2nd edition 2011). Michael Newman (Anthology Editor) Michael Newman is Senior Lecturer at Central St Martins School of Art, London. Tab Content 6Author Website:Countries AvailableAll regions |