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OverviewHow modernist interartistic experimentation and the proliferation of new media technologies inspired fresh insights into poetry Isobel Palmer spotlights Russian modernist poets’ and formalist theorists’ conscious engagement with formal convention, showing how their efforts were tied up with broader attempts in the early Soviet era to understand and articulate the nature of poetry and its most characteristic devices. Returning to critical debates around poetic encounters with three key aesthetic categories—rhythm, image, and voice—Palmer unpacks the period’s deeper interest in the material bases of poetic speech itself. Through fresh, incisive readings of canonical poets and theorists, from Andrei Bely and Vladimir Mayakovsky to Yury Tynianov and Viktor Shklovsky, Revolutions in Verse: The Medium of Russian Modernism explores the proliferation of interartistic experiments and the emergence of new media technologies that made poetry visible as a medium in its own right. Full Product DetailsAuthor: Isobel PalmerPublisher: Northwestern University Press Imprint: Northwestern University Press ISBN: 9780810147669ISBN 10: 0810147661 Pages: 232 Publication Date: 15 November 2024 Audience: College/higher education , Postgraduate, Research & Scholarly Format: Paperback Publisher's Status: Forthcoming Availability: Not yet available ![]() This item is yet to be released. You can pre-order this item and we will dispatch it to you upon its release. Table of ContentsAcknowledgments Note on the Text Introduction Chapter 1. Andrei Bely’s Science of Verse Part I. Rhythm Chapter 2. Yury Tynianov and Rhythm as Remediation Chapter 3. Alexander Blok and the Rhythms of History Part II. Image Chapter 4. Viktor Shklovsky’s Stone Chapter 5. Boris Pasternak’s Poetic Configurations Part III. Voice Chapter 6. Boris Eikhenbaum, Sergei Bernshtein, and the Melodics of Verse Chapter 7. The Many Voices of Vladimir Mayakovsky Conclusion Notes Works Cited IndexReviews"Revolutions in Verse reopens the conversation on the poetry of Russian modernism by productively destabilising the very conditions of its existence: voice, image, and rhythm are now emerging as interactively involved in creating a new materiality of verse that thrives on intermedial experimentation. Palmer's nuanced argument is carefully built; the analysis is attentive to detail, while never losing sight of the bigger picture.""—Galin Tihanov, Queen Mary University of London ""What constitutes the medium of language arts? In this masterful study, Palmer reconstructs the debates surrounding the concepts of ‘rhythm,’ ‘image,’ and ‘voice,’ which she rightfully places at the center of competing trends within Russian modernist literary experimentation and formalist poetics.""—Ana Hedberg Olenina, Arizona State University" """What constitutes the medium of language arts? In this masterful study, Palmer reconstructs the debates surrounding the concepts of 'rhythm, ' 'image, ' and 'voice, ' which she rightfully places at the center of competing trends within Russian modernist literary experimentation and formalist poetics.""--Ana Hedberg Olenina, Arizona State University ""Revolutions in Verse reopens the conversation on the poetry of Russian modernism by productively destabilising the very conditions of its existence: voice, image, and rhythm are now emerging as interactively involved in creating a new materiality of verse that thrives on intermedial experimentation. Palmer's nuanced argument is carefully built; the analysis is attentive to detail, while never losing sight of the bigger picture.""--Galin Tihanov, Queen Mary University of London" Author InformationIsobel Palmer is a lecturer in the Department of Modern Languages at the University of Birmingham. Tab Content 6Author Website:Countries AvailableAll regions |