Revolt of the Filmmakers: The Struggle for Artistic Autonomy and the Fall of the Soviet Film Industry

Author:   George W. Faraday (gfaraday@erols.com)
Publisher:   Pennsylvania State University Press
ISBN:  

9780271019833


Pages:   264
Publication Date:   15 August 2000
Format:   Paperback
Availability:   Out of stock   Availability explained


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Revolt of the Filmmakers: The Struggle for Artistic Autonomy and the Fall of the Soviet Film Industry


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Author:   George W. Faraday (gfaraday@erols.com)
Publisher:   Pennsylvania State University Press
Imprint:   Pennsylvania State University Press
Dimensions:   Width: 15.20cm , Height: 1.90cm , Length: 22.90cm
Weight:   0.399kg
ISBN:  

9780271019833


ISBN 10:   0271019832
Pages:   264
Publication Date:   15 August 2000
Audience:   College/higher education ,  Professional and scholarly ,  Undergraduate ,  Postgraduate, Research & Scholarly
Format:   Paperback
Publisher's Status:   Out of Print
Availability:   Out of stock   Availability explained

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Reviews

In general, this study should be welcome not only in film classes but those on Russian performance arts, culture, history, sociology and even economics. Faraday s extensive endnotes and bibliography will be of help to those who wish to conduct further research. </p> Melissa J. Sokol, <em>Slavic and East European Journal</em></p>


This book should appeal to Russian-area specialists and Russian film buffs, and it should appeal as well to sociologists of power, social change, and professions and organization. Faraday's readers will find a good story of an important social event and one more piece for theoretical projects. --Jeffrey K. Hass, Contemporary Sociology In general, this study should be welcome not only in film classes but those on Russian performance arts, culture, history, sociology and even economics. Faraday's extensive endnotes and bibliography will be of help to those who wish to conduct further research. --Melissa J. Sokol, Slavic and East European Journal


In general, this study should be welcome not only in film classes but those on Russian performance arts, culture, history, sociology and even economics. Faraday's extensive endnotes and bibliography will be of help to those who wish to conduct further research. </p>--Melissa J. Sokol, <em>Slavic and East European Journal</em></p>


This book should appeal to Russian-area specialists and Russian film buffs, and it should appeal as well to sociologists of power, social change, and professions and organization. Faraday's readers will find a good story of an important social event and one more piece for theoretical projects. --Jeffrey K. Hass, Contemporary Sociology


“This book should appeal to Russian-area specialists and Russian film buffs, and it should appeal as well to sociologists of power, social change, and professions and organization. Faraday's readers will find a good story of an important social event and one more piece for theoretical projects.” —Jeffrey K. Hass, Contemporary Sociology “In general, this study should be welcome not only in film classes but those on Russian performance arts, culture, history, sociology and even economics. Faraday’s extensive endnotes and bibliography will be of help to those who wish to conduct further research.” —Melissa J. Sokol, Slavic and East European Journal


Author Information

George Faraday received his Ph.D. in Anthropology from Duke University in 1997. He is an independent scholar living in Washington, DC.

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