Revival: Six Lectures on Painting (1904): Delivered to the Students of the Royal Academy of Arts in London, January 1904

Author:   George Clausen
Publisher:   Taylor & Francis Ltd
ISBN:  

9781138566071


Pages:   184
Publication Date:   28 January 2019
Format:   Paperback
Availability:   In Print   Availability explained
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Revival: Six Lectures on Painting (1904): Delivered to the Students of the Royal Academy of Arts in London, January 1904


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Overview

The chapters in this volume were delivered at lectures to students of the Royal Academy of Arts in January 1904 by George Clausen, who was at that time Professor of Painting. He approaches the subject a number of ways, including specific masters, styles, methods, techniques, contexts and composition. The book offers a balanced introduction to the subject, and to the modern reader, an insightful glimpse at an approach to this evergreen topic as delivered over 100 years ago.

Full Product Details

Author:   George Clausen
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Weight:   0.453kg
ISBN:  

9781138566071


ISBN 10:   1138566071
Pages:   184
Publication Date:   28 January 2019
Audience:   College/higher education ,  General/trade ,  Tertiary & Higher Education ,  General
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

1. Introductory: Some Early Painters 2. On Lighting and Arrangement 3. On Colour 4. Titian, Velasquez, and Rembrandt 5. On Landscapes and Open-air Painting 6. On Realism and Impressionism

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Author Information

George Clausen was a founder member of the New English Art Club, Clausen became Professor of Painting at the Royal Academy in 1906. His lectures at the Academy were published as Six Lectures on Painting (1904) and Aims and Ideals in Art (1906). Clausen developed what became known as a semi-Impressionist style. Most of his paintings were landscapes and scenes of rural life. He was fascinated with the effects of light and his work often featured figures set against the sun.

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