Revealing the Inner Contours of Human Emotion: Preserving the Ballets of Anthony Tudor

Author:   Christine Neal
Publisher:   Histria LLC
ISBN:  

9781592110353


Pages:   236
Publication Date:   15 November 2020
Format:   Paperback
Availability:   Available To Order   Availability explained
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Revealing the Inner Contours of Human Emotion: Preserving the Ballets of Anthony Tudor


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Overview

Antony Tudor stands as one of the pillars of twentieth-century ballet choreography. An English born choreographer who found a home in the United States, Tudor gained renown as the most innovative choreographer of his day. He explored the inner contours of human emotion as he sculpted one-act short stories about ordinary men and women. Based on a series of interviews with the curators of the Tudor legacy: Sally Bliss, Trustee of the Antony Tudor Ballet Trust, and four of the Repetiteurs, the professionals tasked with restaging the Tudor ballets, this book discusses the legacy of Antony Tudor and the restaging of his ballets to preserve their unique qualities that make them Tudor ballets. The author, Christine Knoblauch-O'Neal, is Director of the Master of Fine Arts (MFA) in Dance Program in the Performing Arts Department at Washington University in St. Louis. Before beginning her academic career, Christine performed for twenty years as a dancer with companies such as the American Ballet Theater (where she worked with Antony Tudor), the National Ballet, and the Cincinnati Ballet.

Full Product Details

Author:   Christine Neal
Publisher:   Histria LLC
Imprint:   Vita Histria
Dimensions:   Width: 13.90cm , Height: 1.50cm , Length: 21.50cm
Weight:   0.285kg
ISBN:  

9781592110353


ISBN 10:   1592110355
Pages:   236
Publication Date:   15 November 2020
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   Available To Order   Availability explained
We have confirmation that this item is in stock with the supplier. It will be ordered in for you and dispatched immediately.

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The author, Christine Knoblauch-O'Neal, is Director of the Master of Fine Arts (MFA) in Dance Program in the Performing Arts Department at Washington University in St. Louis. Before beginning her academic career, Christine performed for twenty years as a dancer with companies such as the American Ballet Theater (where she worked with Antony Tudor), the National Ballet, and the Cincinnati Ballet.

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