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OverviewFull Product DetailsAuthor: Roe-Min Kok (Assistant Professor of Musicology and Chair of Musicology, Assistant Professor of Musicology and Chair of Musicology, McGill University) , Laura Tunbridge (Senior Lecturer in Music Analysis and Critical Theory, Senior Lecturer in Music Analysis and Critical Theory, University of Manchester)Publisher: Oxford University Press Inc Imprint: Oxford University Press Inc Dimensions: Width: 23.60cm , Height: 3.80cm , Length: 16.50cm Weight: 0.748kg ISBN: 9780195393859ISBN 10: 0195393856 Pages: 496 Publication Date: 10 February 2011 Audience: College/higher education , Professional and scholarly , Tertiary & Higher Education , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: To order ![]() Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us. Table of Contents"Preface I. The Political Sphere 1. ""Robert Schumann and the Culture of German Nationhood,"" Celia Applegate 2. ""Organizing German Musical Life at Mid-Century: Brendel, Schumann and the Leipzig Tonkünstlerversammlungen/Tonkünstlerverein,"" James Deaville 3. ""The Cry of the Schuhu: Dissonant History in a Late Schumann Song,"" Susan Youens 4. ""Segregating Sound: Robert Schumann in the Third Reich,"" Lily E. Hirsch II. Popular Influences 5. ""At the Interstice between 'Popular' and 'Classical': Schumann's Poems of Queen Mary Stuart and European Sentimentality at Mid-Century,"" Jon Finson 6. ""Who was Mignon, what was she? Popular Catholicism, Fairytale Archetype, and Puer Senex in the Reception of Schumann's Requiem für Mignon,"" Roe-Min Kok 7. ""Entzückt: Schumann, Raphael, Faust,"" Nicholas Marston 8. ""Schumann and Agencies of Improvisation,"" Dana Gooley 9. ""Schumann's Melodramatic Afterlife,"" Ivan Raykoff III. Analytical Approaches 10. ""Meter and Expression in Robert Schumann's Op. 90,"" Harald Krebs 11. ""Hypermetric Dissonance in the Later Works of Robert Schumann,"" William Benjamin 12. ""Associative Harmony, Tonal Pairing, and Middleground Structure in Schumann's Sonata Expositions: The Role of the Mediant in the First Movements of the Piano Quintet, Piano Quartet, and 'Rhenish' Symphony,"" Peter Smith 13. ""Schumann and the style hongrois,"" Julie Hedges Brown 14. ""Intermediate States of Key in Schumann,"" David Kopp IV. 20th-Century Reception 15. ""Choreographing Schumann,"" Wayne Heisler 16. ""The Fictional Lives of the Schumanns,"" David Ferris 17. ""Deserted Chambers of the Mind (Schumann Memories),"" Laura Tunbridge 18. ""Late Styles,"" Scott Burnham"Reviews<br> This volume does indeed manage to offer some significant 'rethinking' on Schumann, and even highlights more areas that could be researched by scholars to come...The only disappointment in such a collections of essays is when they finish. --Nineteenth-Century Music Review<p><br> This splendid and inviting collection of essays by a stellar group of authors offers fresh insights into Schumann's later works and their reception. Its methodological diversity and thematic breadth represent the cutting edge of musical scholarship today. --Annegret Fauser, University of North Carolina at Chapel Hill<p><br> A rewarding and readable collection of new Schumann scholarship that showcases current disciplinary perspectives. Historians, analysts, and cultural critics probe Schumann's music and his wide-ranging influence, paying special attention to lesser known dimensions of the composer's work. Included are eye-opening, exhilarating essays that we will turn to again and again. --Kristina Muxfeldt, Jacobs School of Music, Indiana University<p><br> <br> This splendid and inviting collection of essays by a stellar group of authors offers fresh insights into Schumann's later works and their reception. Its methodological diversity and thematic breadth represent the cutting edge of musical scholarship today. --Annegret Fauser, University of North Carolina at Chapel Hill<br> A rewarding and readable collection of new Schumann scholarship that showcases current disciplinary perspectives. Historians, analysts, and cultural critics probe Schumann's music and his wide-ranging influence, paying special attention to lesser known dimensions of the composer's work. Included are eye-opening, exhilarating essays that we will turn to again and again. --Kristina Muxfeldt, Jacobs School of Music, Indiana University<br> """This volume does indeed manage to offer some significant 'rethinking' on Schumann, and even highlights more areas that could be researched by scholars to come...The only disappointment in such a collections of essays is when they finish."" --Nineteenth-Century Music Review ""This splendid and inviting collection of essays by a stellar group of authors offers fresh insights into Schumann's later works and their reception. Its methodological diversity and thematic breadth represent the cutting edge of musical scholarship today.""--Annegret Fauser, University of North Carolina at Chapel Hill ""A rewarding and readable collection of new Schumann scholarship that showcases current disciplinary perspectives. Historians, analysts, and cultural critics probe Schumann's music and his wide-ranging influence, paying special attention to lesser known dimensions of the composer's work. Included are eye-opening, exhilarating essays that we will turn to again and again."" --Kristina Muxfeldt, Jacobs School of Music, Indiana University ""Contributors and editors alike have evidently strived to make this extraordinary, revelatory collection prima facie accessible."" --Notes" <br> This splendid and inviting collection of essays by a stellar group of authors offers fresh insights into Schumann's later works and their reception. Its methodological diversity and thematic breadth represent the cutting edge of musical scholarship today. --Annegret Fauser, University of North Carolina at Chapel Hill<p><br> A rewarding and readable collection of new Schumann scholarship that showcases current disciplinary perspectives. Historians, analysts, and cultural critics probe Schumann's music and his wide-ranging influence, paying special attention to lesser known dimensions of the composer's work. Included are eye-opening, exhilarating essays that we will turn to again and again. --Kristina Muxfeldt, Jacobs School of Music, Indiana University<p><br> Author InformationRoe-Min Kok is Assistant Professor of Music at McGill University. She is co-editor of Musical Childhoods and the Cultures of Youth (2006). Laura Tunbridge is Senior Lecturer in Music Analysis and Critical Theory at the University of Manchester. Her publications include Schumann's Late Style (2007) and The Song Cycle (forthcoming). Tab Content 6Author Website:Countries AvailableAll regions |