Rethinking Schubert

Author:   Dr Lorraine Byrne Bodley (Senior Lecturer in Musicology & Director of Research, Senior Lecturer in Musicology & Director of Research, National University of Ireland, Maynooth) ,  Julian Horton (Professor of Music, Professor of Music, Durham University)
Publisher:   Oxford University Press Inc
ISBN:  

9780190874131


Pages:   552
Publication Date:   05 April 2018
Format:   Paperback
Availability:   To order   Availability explained
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Rethinking Schubert


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Author:   Dr Lorraine Byrne Bodley (Senior Lecturer in Musicology & Director of Research, Senior Lecturer in Musicology & Director of Research, National University of Ireland, Maynooth) ,  Julian Horton (Professor of Music, Professor of Music, Durham University)
Publisher:   Oxford University Press Inc
Imprint:   Oxford University Press Inc
Dimensions:   Width: 15.50cm , Height: 3.60cm , Length: 23.10cm
Weight:   0.794kg
ISBN:  

9780190874131


ISBN 10:   0190874139
Pages:   552
Publication Date:   05 April 2018
Audience:   General/trade ,  College/higher education ,  General ,  Tertiary & Higher Education
Format:   Paperback
Publisher's Status:   Active
Availability:   To order   Availability explained
Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us.

Table of Contents

Introduction Lorraine Byrne Bodley and Julian Horton: 'Rethinking Schubert: Contexts and Controversies Part I: Style 1. Hans-Joachim Hinrichsen: Is there a Late Style in Schubert's Oeuvre? 2. Walter Dürr: Compositional Strategies of late Schubert 3. William Kinderman: Franz Schubert's 'New Style' and the Legacy of Beethoven 4. Susan Wollenberg: From Song to Instrumental Style: Some Schubert 'Fingerprints' 5. Brian Black: The Sensual as a Constructive Element in Schubert's Late Works Part II: Instrumental Music 6. Andrea Lindmayr-Brandl: The Myth of the 'Unfinished'? 7. Xavier Hascher: Narrative Dislocations in the First Movement of Schubert's 'Unfinished' Symphony 8. Cameron Gardner: Reappraising Schubert's 'Reliquie': Precedents, the 'Great' Symphony and Narrative 9. Anne Hyland and Walburga Litschauer: 'Records of Inspiration': Schubert's drafts for the last three piano sonatas reappraised 10. Julian Caskel: Musical Causality in Schubert's Piano Sonata D 959, first movement 11. David Damschroder: Conspicuous 6-Phase Chords in the Closing Movement of Schubert's Piano Sonata in B flat Major, D 960 12. Leon Plantinga: Schubert, Popular Music, and Melancholy Part III: Music and Text 13. Michael Spitzer: Axial Lyric Space in Two Late Songs: 'Im Freien' and 'Der Winterabend' 14. Suzannah Clark: Schubert Through a Neo-Riemannian Lens. 15. James Sobaskie: Contextual Processes in Schubert's Late Church Music 16. Lisa Feurzeig: Elusive Intimacy in Schubert's Final Opera, Der Graf von Gleichen 17. Deborah Stein: The Wanderer's Chromatic Journey in Schubert's Winterreise 18. David Ferris: Dissociation and Declamation in Schubert's Heine Songs 19. Richard Giarusso: 'The Messenger of a Faithful Heart': Reassessing the Role of 'Die Taubenpost' in Schubert's Schwanengesang 20. Benjamin Binder: Disability, Self-Critique, and Failure in Schubert's 'Der Doppelgänger' 21. Lorraine Byrne Bodley: Challenging the Context: Reception and Transformation in Schubert's 'Der Musensohn', D 764, Op. 92, no.1 22. Susan Youens: Mayrhofer's 'Der Einsame': A Gauntlet Thrown: Schubert's 'Einsamkeit', D 620, and Beethoven's An die ferne Geliebte' Postlude Graham Johnson

Reviews

Inspired by the music of Schubert and the man himself, the contexts and riddling controversies promised in the title of this rich collection are engaged here in a range of brilliant rethinkings, from a brace of fresh theoretical constructs to the seasoned insights of time-honored Schubertians. A signal contribution among the busy competition. Richard Kramer, Author of Unfinished Music and Distant Cycles: Schubert and the Conceiving of Song This stirringly diverse collection of essays brings the recent surge of Schubert scholarship to its first full flood. With an international and intergenerational abundance of perspective, Rethinking Schubert encourages the sense that we are just now beginning to discern the impact and range of this miraculously multidimensional composer. - Scott Burnham, Princeton University Deeply thoughtful and hugely challenging, insightful and inciteful, these essays throw brilliant prismatic light on Schubert's indispensable oeuvre. They untangle the thorny paradox of an individual style that furnished the pivot for a crucial juncture in music history. - Scott Messing, author of Schubert in the European Imagination and Marching to the Canon: The Life of Schubert's Marche militaire


""Deeply thoughtful and hugely challenging, insightful and inciteful, these essays throw brilliant prismatic light on Schubert's indispensable oeuvre. They untangle the thorny paradox of an individual style that furnished the pivot for a crucial juncture in music history."" - Scott Messing, author of Schubert in the European Imagination and Marching to the Canon: The Life of Schubert's Marche militaire ""This stirringly diverse collection of essays brings the recent surge of Schubert scholarship to its first full flood. With an international and intergenerational abundance of perspective, Rethinking Schubert encourages the sense that we are just now beginning to discern the impact and range of this miraculously multidimensional composer."" - Scott Burnham, Princeton University ""Inspired by the music of Schubert and the man himself, the contexts and riddling controversies promised in the title of this rich collection are engaged here in a range of brilliant rethinkings, from a brace of fresh theoretical constructs to the seasoned insights of time-honored Schubertians. A signal contribution among the busy competition."" Richard Kramer, Author of Unfinished Music and Distant Cycles: Schubert and the Conceiving of Song


Author Information

Lorraine Byrne Bodley is Senior Lecturer and Director of Research at the Department of Music, Maynooth University. She is the first woman in Ireland to have conferred on her a D.Mus. in Musicology, a higher doctorate awarded for published work (NUI, 2012). She also holds a Ph.D. in Music and in German from University College Dublin (2000). Her numerous other awards include a Gerda-Henkel Foundation Scholarship (2014); two DAAD Senior Academics Awards (2010 and 2014); an IRCHSS Post-Doctoral Scholarship (2001-03) and the Goethe Prize of the English Goethe Society (2001). She has published 12 books including: A Community of the Imagination: Seóirse Bodley's Goethe's Settings (Carysfort Press, 2013); Goethe and Zelter: Musical Dialogues (Ashgate, 2009); The Unknown Schubert (Ashgate, 2008); Proserpina: Goethe's Melodrama with Music by Carl Eberwein (Carysfort Press, 2007) and Schubert's Goethe Settings (2003). Forthcoming books include Schubert: A Musical Wayfarer (Yale University Press, 2018). Julian Horton is Professor of Music and Head of Department at Durham University. He was educated at Trinity College, Cambridge, and has taught at University College Dublin and King's College, London. He is the author of Bruckner's Symphonies: Analysis, Reception and Cultural Politics (Cambridge, 2004) and editor of The Cambridge Companion to the Symphony (2013). In 2012, he was recipient of the Westrup Prize; in 2014, he was elected President of the Society for Music Analysis.

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