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OverviewThe last 15 years has seen an explosion of studies that use cognitive science to understand theatre, whilst at the same time theatre-makers are using their artistic practice to address research question. This book looks at the current discourse around these emerging fields. Full Product DetailsAuthor: S. MayPublisher: Palgrave Macmillan Imprint: Palgrave Pivot Edition: 1st ed. 2015 Dimensions: Width: 14.00cm , Height: 1.00cm , Length: 21.60cm Weight: 0.272kg ISBN: 9781137522726ISBN 10: 1137522720 Pages: 84 Publication Date: 22 October 2015 Audience: Professional and scholarly , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: In Print ![]() This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of Contents1. Introduction 2. Rethinking the Cognitive Turn 3. Rethinking Practice as Research 4. Conclusion Bibliography ?ReviewsAuthor InformationShaun May is a Lecturer in Drama and Theatre at the University of Kent, UK where he is a member of the Centre for Cognition and Kinesthetics in Performance, and the author of A Philosophy of Comedy on Stage and Screen (2015). Tab Content 6Author Website:Countries AvailableAll regions |