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OverviewFull Product DetailsAuthor: Sophie Stévance , Serge LacassePublisher: Taylor & Francis Ltd Imprint: Routledge Weight: 0.340kg ISBN: 9780367231552ISBN 10: 0367231557 Pages: 188 Publication Date: 07 February 2019 Audience: College/higher education , General/trade , Tertiary & Higher Education , General Format: Paperback Publisher's Status: Active Availability: In Print This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of Contents"List of Tables and Figures Series editor's preface Introduction Chapter 1: Art, Culture and Creation in the University: Social Issues Introduction Observations The Concept of ""Project-grounded Research"" in the Field of Research-Creation Chapter 2: University Training in Research-Creation Introduction The Music Conservatory and the University The Students Project-grounded Research: An Epistemological and Methodological Foundation for Research-Creation Embarking upon Learning and Teaching Conclusion: Towards Collaboration Chapter 3: Definition and Scope of Research-Creation Definition Scope Research and innovation (intersection 2) Concluding Remarks General Conclusion References Index"ReviewsAuthor InformationSophie Stévance is Canada Chair Research in research-creation in music (www.chairs-chaires.gc.ca/chairholders-titulaires/profile-eng.aspx?profileId=3481). She is Professor in musicology at the Faculty of Music, University Laval, Quebec City (Canada), Head of Laboratoire de recherche-création en musique et multimedia (LARCEM) and Groupe de recherche-création en musique (grecem.oicrm.org). She is the author of several books (such as Quand la musique prend corps, with M. Desroches and S. Lacasse, 2014; Les Enjeux de la recherche-création en musique, with Lacasse, 2013; Musique actuelle, 2011; Duchamp, compositeur, 2009; Composer au XXIe siècle, 2010; L’Itinéraire du timbre, 2006). She has received two awards from The Académie Charles-Cros, in 2006 and in 2010, as well as research grants (Social Sciences and Humanities Research Council, Quebec Research Funds, Canada Foundation for Innovation’s Leaders). Her field of study is research-creation in music around different projects with creators, particularly about genetic analysis of creative process in music and modernization of Inuit throat-singing (with Tanya Tagaq). Serge Lacasse is Professor of musicology, specializing in popular music, at the Faculty of Music, Université Laval in Quebec City, Canada. He heads both the Laval site of the Observatoire interdisciplinaire de création et de recherche en musique (oicrm.org) and the Laboratoire audionumérique de recherche et de création (larc.oicrm.org). Favouring an interdisciplinary approach, his research and research-creation projects mostly deal with the study and practice of recorded popular music and the singing voice. In addition to multiple chapters, articles and conference papers, he co-authored (with Sophie Stévance) Les enjeux de la recherche-création en musique (PUL, 2013) and co-edited Quand la musique prend corps (PUM, 2014) with Monique Desroches and Sophie Stévance, as well as Rewriting the Rules of Record Production (Routledge, forthcoming) with Simon Zagorski-Thomas, Katia Isakoff and Sophie Stévance. He is also active as a record producer, musician and songwriter. Tab Content 6Author Website:Countries AvailableAll regions |
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