Overview

This double volume of the renowned international journal of anthropology and comparative aesthetics includes 'Aesthetics' non-recyclable ground' by Felix Duque; 'Seeing through dead eyes' by Jonathan Hay; 'The hidden aesthetic of red in the painted tombs of Oaxaca' by Diana Magaloni; 'A consideration of the quatrefoil motif in Preclassic Mesoamerica' by Julia Guernsey; 'Hunters, Sufis, soldiers, and minstrels' by Cynthia Becker; 'Figures fidjiennes' by Marc Rochette; 'A sacred landscape' by Rachel Kousser; and, 'Military architecture as a political tool in the Renaissance' by Francesco Benelli. This title also includes: 'The icon as performer and as performative utterance' by Marie Gasper-Hulvat; 'Image and site' by Jas' Elsner; 'Untimely objects' by Ara H. Merjian; 'Max Ernst in Arizona' by Samantha Kavky; 'Form as revolt' by Sebastian Zeidler; 'Embodiments and art beliefs' by Filippo Fimiani; 'The theft of the goddess Amba Mata' by Deborah Stein; and, contributions to 'Lectures, Documents and Discussions' by Gottfried Semper, Spyros Papapetros, Erwin Panofsky, Megan R. Luke, Francesco Paolo Adorno, and Remo Guidieri.

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9780873658614

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Author Information

Francesco Pellizzi is Associate of Middle American Ethnology at the Peabody Museum of Archaeology and Ethnology, Harvard University. Jonathan Hay is Ailsa Mellon Bruce Professor of Fine Arts at New York University Julia Guernsey is in the Department of Art and Art history at the University of Texas, Austin.

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