Overview

The contents of this issue are: Editorial, ""Socrates' death,"" by Remo Guidieri; ""Antimasque, Pageant: Restoration and Bethlem at Moorfields,"" by Christine Stevenson; ""Picturing Madness in 1905: Giacomo Balla's La Pazza and the cycle The Living,"" by Christine Poggi; ""Quoting Eros: Visual culture, irony and anachronism in Thomas Mann,"" by Filippo Fimiani; ""Cosmos and warfare on a Classic Maya vase,"" by Oswaldo Chinchilla; ""Women and political power: The inclusion and exclusion of noblewomen in Aztec pictorial histories,"" by Lori Boornazian Diel; ""Ancestors and commemoration in Igbo Odo masquerades,"" by Benjamin Hufbauer and Bess Reed; ""Style and the standardization of forms in certain arts of the Sepik,"" by Romain Chambrin; ""The modality of time-maps: Quilting in the Pacific from another point of view,"" by Susanne Kuechler; Lectures, Documents and Discussions: ""Slit drums on Atchin;"" an unpublished manuscript by John Layard, edited and with an introduction by Haidy Geismar; ""Style and meaning: Abelam art through Yolngu eyes,"" The 1998 Anthony Forge Lecture, by Howard Morphy; ""Vodou in the age of mechanical reproduction,"" by Donald Cosentino; and ""Heterosomatics: Remarks of an historian of women's bodies,"" by Barbara Duden.

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Author Information

Francesco Pellizzi is Associate of Middle American Ethnology at the Peabody Museum of Archaeology and Ethnology, Harvard University.

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