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OverviewThis text traces the changing theatrical and cultural identity of the History plays in the context of postwar social and political conflict, crisis and change. Since the company's inception in the early 1960s, the RSC's commitment to relevance has fostered close relationships between Shakespearean criticism and performance, and between the theatre and its audiences. Through a detailed discussion of key productions, from ""The War of the Roses"" in 1963 to ""The Plantegenets"" in 1988, Robert Shaughnessy emphasizes the political dimension of contemporary theatrical representations of Shakespeare, and of the ""Shakespearean"" modes of history that these plays have been employed to promote; individualist, cyclical, male-dominated, and driven by essentialised, transcendent human nature. Full Product DetailsAuthor: Robert ShaughnessyPublisher: Taylor & Francis Ltd Imprint: Routledge Weight: 0.453kg ISBN: 9781138167155ISBN 10: 1138167150 Pages: 240 Publication Date: 23 February 2017 Audience: College/higher education , General/trade , Tertiary & Higher Education , General Format: Hardback Publisher's Status: Active Availability: In Print ![]() This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsIntroduction; Part I Performing Histories; Chapter One Representing Shakespeare; Chapter Two Production criticism, critical production; Part II Cycles; Chapter Three We'll meet again; Chapter Four Masters of war: The Wars of the Roses (1963–4); Chapter Five Anarchy in the UK: Henry IV (1975) and Henry VI (1977); Chapter Six Victorian values: Henry IV (1982) and The Plantagenets (1988); Part III Heroes and Villains; Chapter Seven Shakespeare through the looking-glass: Richard II (1973); Chapter Eight Playing soldiers: Henry V (1975 and 1984); Chapter Nine Murder in the cathedral: Richard III (1984); Part IV Shakespeare Bastardised; Chapter Ten Barton's Bard: the 1974 King John; Chapter Eleven All is True? The Davies-Edgar Henry VIII (1983); Chapter Twelve A bastard to the time: King John at The Other Place, 1988; Conclusion, Maria Framke;ReviewsAuthor InformationRobert Shaughnessy is Professor of Theatre at the University of Kent, UK. Tab Content 6Author Website:Countries AvailableAll regions |