Overview

Repositioning Shakespeare offers a far-reaching assessment of how the bard has been appropriated within post-colonial contexts, especially in the Unites States. Thomas Cartelli explores how Shakespeare is repositioned as contemporary cultures seek to renegotiate Shakespeare's standing as a privieged site of authority within their own nation formations. Cartelli provides innovative readings of texts and events that position themselves in relation to Shakespeare, such as: polemical essays by Walt Whitman the nineteenth-century play, 'Jack Cade', commissioned and staged by the first major American Shakespeare actor an essay on labour-management reform by social activist Jane Addams novels by Aphra Behn, Ngugi Wa Thiong'o, Michelle Cliff, Tayeb Salih, Nadine Gordimer and Robert Stone the 1849 Astor Place Riot films by James Ivory and Gus Van Sant Repositioning Shakespare makes an original contribution to debates about the cultural uses of Shakespeare, as well as the question of what counts as postcolonial.

Full Product Details

Author:   Thomas Cartelli
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Volume:   2
Dimensions:   Width: 13.80cm , Height: 1.40cm , Length: 21.60cm
Weight:   0.453kg
ISBN:  

9780415194983

ISBN 10:   0415194989
Pages:   248
Publication Date:   10 December 1998
Audience:   College/higher education ,  Professional and scholarly ,  Tertiary & Higher Education ,  Postgraduate, Research & Scholarly
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print  
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Table of Contents

INTRODUCTION; Part 1 DEMOCRATIC VISTAS; Chapter 1 NATIVISM, NATIONALISM, AND THE COMMON MAN IN AMERICAN CONSTRUCTIONS OF SHAKESPEARE; Chapter 2 SHAKESPEARE AT HULL HOUSE: JANE ADDAMS'S “A MODERN LEAR” AND THE 1894 PULLMAN STRIKE; Chapter 3 SHAKESPEARE, 1916: CALIBAN BY THE YELLOW SANDS AND THE NEW DRAMAS OF DEMOCRACY; Part 2 PROSPERO'S BOOKS; Chapter 4 PROSPERO IN AFRICA: THE TEMPEST AS COLONIALIST TEXT AND PRETEXT; Chapter 5 AFTER THE TEMPEST : SHAKESPEARE, POSTCOLONIALITY, AND MICHELLE CLIFF'S NEW, NEW WORLD MIRANDA; Part 3 THE OTHELLO COMPLEX; Chapter 6 ENSLAVING THE MOOR: OTHELLO, OROONOKO, AND THE RECUPERATION OF INTRACTABILITY; Chapter 7 “LIKE OTHELLO”: TAYEB SALIH'S SEASON OF MIGRATION AND POSTCOLONIAL SELF-FASHIONING; Conclusion; Notes; Works Cited INDEX;

Reviews

'Repositioning Shakespeare is a very well researched book, full of insight both into Shakespeare, American and world-wide politics and social affairs and, most of all, the postcolonial issue. For anyone engaged in postcolonial studies it is of great use and it is certainly a pleasure to read.' - Magnus Ankarsjoe, Modern Languages

... compelling political readings of Shakespearean appropriation. <br>-The Shakespeare Quarterly <br>. it exemplifies the best of cultural analysis. <br>-Symploke <br>

... compelling political readings of Shakespearean appropriation. -The Shakespeare Quarterly . it exemplifies the best of cultural analysis. -Symploke

Author Information

Thomas Cartelli is Professor of English at Muhlenberg College. He is the author of Marlowe, Shakespeare, and the Economy of Theatrical Experience, which was awarded the 1991 Hoffman Prize for Distinguished Publication on Christopher Marlowe.

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