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OverviewFull Product DetailsAuthor: Fabrice FitchPublisher: Cambridge University Press Imprint: Cambridge University Press Dimensions: Width: 16.90cm , Height: 1.60cm , Length: 24.40cm Weight: 0.560kg ISBN: 9780521728171ISBN 10: 0521728177 Pages: 292 Publication Date: 27 August 2020 Audience: Professional and scholarly , College/higher education , Professional & Vocational , Tertiary & Higher Education Format: Paperback Publisher's Status: Active Availability: Manufactured on demand ![]() We will order this item for you from a manufactured on demand supplier. Table of Contents1. Introducing Renaissance Polyphony; 2. Making Polyphony: Sources and Practice; 3. Makers of Polyphony; 4. Pitch: An Overview; 5. Voice-names, Ranges, and Functions; 6. Mensural Notation, Duration, and Meter; 7. Genre, Texts, Form; 8. 'Cantus magnus': Music for the Mass; 9. 'Cantus mediocris': The Motet; 10. 'Cantus parvus': Secular Music; 11. Scoring, Texture, Scale; 12. Understanding Musical Borrowing; 13. Canons, Puzzles, Games; 14. Performance Practice: A Brief Introduction.Reviews'In Renaissance Polyphony Fabrice Fitch has produced a refreshingly different book from the usual survey. With a composer's eye he offers a new approach to understanding the world of Renaissance music: its composers and performers, its sources, and its genres, but above all lucid descriptions of how the music is put together. It will appeal to many kinds of readers.' Bonnie J. Blackburn, Wolfson College, Oxford 'By combining solid musicology with an engaging sense of history as detective process, this book earns its place in a crowded field.' N. L. Gilbert, Choice 'This book is sure to become a classic text in Renaissance music pedagogy.' Melinda Latour, Revue de musicologie 'In Renaissance Polyphony Fabrice Fitch has produced a refreshingly different book from the usual survey. With a composer's eye he offers a new approach to understanding the world of Renaissance music: its composers and performers, its sources, and its genres, but above all lucid descriptions of how the music is put together. It will appeal to many kinds of readers.' Bonnie J. Blackburn, Wolfson College, Oxford 'By combining solid musicology with an engaging sense of history as detective process, this book earns its place in a crowded field.' N. L. Gilbert, Choice 'This book is sure to become a classic text in Renaissance music pedagogy.' Melinda Latour, Revue de musicologie 'Renaissance Polyphony is a true joy and could also be profitably read by those with a prior knowledge of the music discussed who wish to gain a clearer overview of its principal stylistic features … this is a book I wish I had read as a student; I am glad to have had the chance to read it now'. Antonio Chemotti, Quellen und Forschungen aus italienischen Archiven und Bibliotheken 'In Renaissance Polyphony Fabrice Fitch has produced a refreshingly different book from the usual survey. With a composer's eye he offers a new approach to understanding the world of Renaissance music: its composers and performers, its sources, and its genres, but above all lucid descriptions of how the music is put together. It will appeal to many kinds of readers.' Bonnie J. Blackburn, Wolfson College, Oxford Author InformationFabrice Fitch is a composer and musicologist specializing in Renaissance polyphony and its performance. His monograph Johannes Ockeghem: Masses and Models remains the only full-length monograph in English on the composer, and he has published widely on Obrecht, Agricola, other composers of that generation, and the Eton Choirbook. His compositions have been performed by leading soloists and chamber ensembles and broadcast internationally. He has been a reviewer with Gramophone for over 25 years. Tab Content 6Author Website:Countries AvailableAll regions |