(Re)mapping the Latina/o Literary Landscape

Author:   Cristina Herrera ,  Larissa M. Mercado-López
Publisher:   Palgrave Macmillan
Edition:   1st ed. 2016
ISBN:  

9781349949007


Pages:   258
Publication Date:   03 August 2016
Format:   Hardback
Availability:   Manufactured on demand   Availability explained
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(Re)mapping the Latina/o Literary Landscape


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Author:   Cristina Herrera ,  Larissa M. Mercado-López
Publisher:   Palgrave Macmillan
Imprint:   Palgrave Macmillan
Edition:   1st ed. 2016
Dimensions:   Width: 14.80cm , Height: 2.00cm , Length: 21.00cm
Weight:   4.602kg
ISBN:  

9781349949007


ISBN 10:   1349949000
Pages:   258
Publication Date:   03 August 2016
Audience:   College/higher education ,  Professional and scholarly ,  Tertiary & Higher Education ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

Table of Contents

Part 1 Expanding Latinidades.- “Metaphors of Miscegenation: Genre Mixing in Gloria Anzaldúa’s Borderlands/La Frontera.” Shelley García.- “Harriet Beecher Stowe’s Cuban Characters: Uncle Tom’s Cabin and Gertrudis Gómez de Avellaneda,” Judie Newman.- “Pedro Medina and Suburbano Come to the Fore: Miami as a Cultural Stage and Source of Creativity,” Naida Saavedra.- “Latin/o American Perspectives of the United States in Sam no es mi tío,” Amrita Das.- The Twenty-first Century Politics of Latinidad: Decolonizing Consciousness, Transnational Solidarity, and Global Activism in Demetria Martínez’s Mother Tongue,” Georgina Guzmán.- Part 2 Crossing Literary Terrains.- “‘The Waltons, Chicana Style’: Queer Familia and Reclaimed Sisterhood in Terri de la Peña’s Faults” Cristina Herrera.- “Crossing Borders Through Prostitution: Esperanza’s Box of Saints by María Amparo Escandón and Across a Hundred Mountains by Reyna Grande,” Carolyn González.- “Twenty-first Century Literary Border Formations: Neoliberalism and Domingo Martínez's The Boy Kings of Texas,” Magda García.- “Capirotada: A Renewed Chicana Spirituality through a Chicana Literary Lens,” Gabriella Gutiérrez y Muhs.- Part 3 Mapping the Body.- “Creating a More Compassionate Narrative: Undoing Desconocimiento through Embodied Intimacy in Helena María Viramontes’ Under the Feet of Jesus and Luis Alberto Urrea’s The Devil’s Highway,” Christina García López.- “Entering the Mainstream: Chicana Lesbian Subjectivity in Contemporary Drama and Performance,” Trevor Boffone.- “Slow Lightning: Image, Time, and An Erotics of Reading,” Eliza Rodríguez y Gibson.- “From Lost Woman to Third Space Mestiza Maternal Subject: La Llorona as a Metaphor of Transformation,” Larissa M. Mercado-López.- Part 4 Writers on Literary (In)visibility: Voicing Activism from the Margins.- “Extremely Brown and Incredibly Ignored,” Alex Espinoza.- “Latino Literature for Children and the Lack of Diversity,” Gabriela Baeza Ventura

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Author Information

Cristina Herrera is Associate Professor in the Department of Chicano and Latin American Studies at California State University, Fresno, USA. She is the author of Contemporary Chicana Literature: (Re)Writing the Maternal Script and has published in Chicana/Latina Studies, Confluencia, and Journal of Caribbean Literatures.   Larissa M. Mercado-López is an Assistant Professor in the Department of Women’s Studies at California State University, Fresno, USA. Mercado-López is the co-editor of El Mundo Zurdo 3 and El Mundo Zurdo 4, and has published in Diálogo, Chicana/Latina Studies, and collections from Demeter Press. 

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