Religion, Theatre, and Performance: Acts of Faith

Author:   Lance Gharavi (Arizona State University, USA)
Publisher:   Taylor & Francis Ltd
ISBN:  

9780415710473


Pages:   262
Publication Date:   08 July 2013
Format:   Paperback
Availability:   In Print   Availability explained
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Religion, Theatre, and Performance: Acts of Faith


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Full Product Details

Author:   Lance Gharavi (Arizona State University, USA)
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Dimensions:   Width: 15.20cm , Height: 1.40cm , Length: 22.90cm
Weight:   0.408kg
ISBN:  

9780415710473


ISBN 10:   0415710472
Pages:   262
Publication Date:   08 July 2013
Audience:   College/higher education ,  Tertiary & Higher Education ,  Undergraduate
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

Introduction, Lance Gharavi Part I: Religious Actors 1. Becoming-empty: Tantrism and Theatre, Anthony Kubiak 2. The Theology of Actor Training: David Mamet, the Old Religion and the New Actor, Henry Bial 3. Hesychasm and Monastic Culture: Models for Understanding Holistic Acting, Andrew White 4. Queer Structures of Religious Feeling, Ann Pellegrini 5. Corporeality and Spiritual Transformation, Donnalee Dox Part II: Dramas and Theatres 6. Who is Rama? Richard Schechner 7. Ali Ahmed Bakathir, Islamic Playwright, Marvin Carlson 8. The Symbolist Legacy to Present-day Theatre: The Argument, Daniel Gerould 9. Invoking Gandhi: A Yoruba-Hindu-Muslim-Brazilian Sacred Fantasy, Isis McElroy Part III: Stages of Conflict 10. Performing Peace and Enacting Conflict in the Santa Fe Fiesta, Ronald L. Grimes 11. 'Prepare to Believe': The Creation Museum's Staging of Science and Religion, John Fletcher 12. Plain Speech Acts: Quakerism, Performance Studies and Immigration Activism, Tamara Underiner 13. Israeli Theatre’s Homeopathic Struggle with the Religious Demon, Gad Kaynar 14. About/Doing Religion and Theatre: Study and Practice in the Academy, Lance Gharavi

Reviews

'This new anthology provides a vital call for more research and dialogue in the increasingly important intersections of religion, theatre, and performance. With this collection, Gharavi perceptively argues the essential importance of religious studies to theatre/performance studies, and vice versa.' -Bradley Stephensen, University of Missouri Columbia, Ecumenica 'Gharavi's assessment of the place of religion in the study of theatre...is probably right to raise a finger of concern that ritual theory, theology, the sociology of religion, and other elements of religious studies commonly give way, in graduate curricula, to the discourses of history, literary theory, and cultural studies. The material in the book he has edited shows how theatre and performance studies clearly benefit from the discourses and theories of religious studies.' David Mason, Modern Drama 'I recommend this book as a prime example of the benefits and dangers of interdisciplinary dialogue. I hope the summary of Fletcher's essay showed one major benefit; namely, the opportunity to gain illuminating perspective on a familiar reality. One major danger, however, is that disciplines may not be understood on their own terms, which may lead to interesting interactions, but fail to foster real dialogue... the essays in this book do not fall prey to this danger; rather, they demonstrate that religion is a public performance open to analysis by insiders and outsiders alike.' Book Reviews Editor, Transpositions 'Religion, Theatre, and Performance accomplishes what Gharavi and his contributors set out to do: to demonstrate both the need for rigorous inquiry in this interdisciplinary field and employ successful methods for doing so...If the book continues to stimulate as much interest, conversation, and ongoing research as it has during the first year following its publication, then Gharavi's project will shortly establish itself as a landmark in the discipline.' - Carolyn D. Roark, Ecumenica: Journal of Theatre and Performance


This new anthology provides a vital call for more research and dialogue in the increasingly important intersections of religion, theatre, and performance. With this collection, Gharavi perceptively argues the essential importance of religious studies to theatre/performance studies, and vice versa. -Bradley Stephensen, University of Missouri Columbia, Ecumenica


Author Information

Lance Gharavi is Associate Professor of Theatre in the School of Theatre and Film, Arizona State University, USA.

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