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OverviewFull Product DetailsAuthor: Lance Gharavi (Arizona State University, USA)Publisher: Taylor & Francis Ltd Imprint: Routledge Dimensions: Width: 15.20cm , Height: 1.40cm , Length: 22.90cm Weight: 0.408kg ISBN: 9780415710473ISBN 10: 0415710472 Pages: 262 Publication Date: 08 July 2013 Audience: College/higher education , Tertiary & Higher Education , Undergraduate Format: Paperback Publisher's Status: Active Availability: In Print ![]() This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsIntroduction, Lance Gharavi Part I: Religious Actors 1. Becoming-empty: Tantrism and Theatre, Anthony Kubiak 2. The Theology of Actor Training: David Mamet, the Old Religion and the New Actor, Henry Bial 3. Hesychasm and Monastic Culture: Models for Understanding Holistic Acting, Andrew White 4. Queer Structures of Religious Feeling, Ann Pellegrini 5. Corporeality and Spiritual Transformation, Donnalee Dox Part II: Dramas and Theatres 6. Who is Rama? Richard Schechner 7. Ali Ahmed Bakathir, Islamic Playwright, Marvin Carlson 8. The Symbolist Legacy to Present-day Theatre: The Argument, Daniel Gerould 9. Invoking Gandhi: A Yoruba-Hindu-Muslim-Brazilian Sacred Fantasy, Isis McElroy Part III: Stages of Conflict 10. Performing Peace and Enacting Conflict in the Santa Fe Fiesta, Ronald L. Grimes 11. 'Prepare to Believe': The Creation Museum's Staging of Science and Religion, John Fletcher 12. Plain Speech Acts: Quakerism, Performance Studies and Immigration Activism, Tamara Underiner 13. Israeli Theatre’s Homeopathic Struggle with the Religious Demon, Gad Kaynar 14. About/Doing Religion and Theatre: Study and Practice in the Academy, Lance GharaviReviews'This new anthology provides a vital call for more research and dialogue in the increasingly important intersections of religion, theatre, and performance. With this collection, Gharavi perceptively argues the essential importance of religious studies to theatre/performance studies, and vice versa.' -Bradley Stephensen, University of Missouri Columbia, Ecumenica 'Gharavi's assessment of the place of religion in the study of theatre...is probably right to raise a finger of concern that ritual theory, theology, the sociology of religion, and other elements of religious studies commonly give way, in graduate curricula, to the discourses of history, literary theory, and cultural studies. The material in the book he has edited shows how theatre and performance studies clearly benefit from the discourses and theories of religious studies.' David Mason, Modern Drama 'I recommend this book as a prime example of the benefits and dangers of interdisciplinary dialogue. I hope the summary of Fletcher's essay showed one major benefit; namely, the opportunity to gain illuminating perspective on a familiar reality. One major danger, however, is that disciplines may not be understood on their own terms, which may lead to interesting interactions, but fail to foster real dialogue... the essays in this book do not fall prey to this danger; rather, they demonstrate that religion is a public performance open to analysis by insiders and outsiders alike.' Book Reviews Editor, Transpositions 'Religion, Theatre, and Performance accomplishes what Gharavi and his contributors set out to do: to demonstrate both the need for rigorous inquiry in this interdisciplinary field and employ successful methods for doing so...If the book continues to stimulate as much interest, conversation, and ongoing research as it has during the first year following its publication, then Gharavi's project will shortly establish itself as a landmark in the discipline.' - Carolyn D. Roark, Ecumenica: Journal of Theatre and Performance This new anthology provides a vital call for more research and dialogue in the increasingly important intersections of religion, theatre, and performance. With this collection, Gharavi perceptively argues the essential importance of religious studies to theatre/performance studies, and vice versa. -Bradley Stephensen, University of Missouri Columbia, Ecumenica Author InformationLance Gharavi is Associate Professor of Theatre in the School of Theatre and Film, Arizona State University, USA. Tab Content 6Author Website:Countries AvailableAll regions |