Reimagining Shakespeare's Playhouse: Early Modern Staging Conventions in the Twentieth Century
Author:   Joe Falocco (Royalty Account)
Publisher:   Boydell & Brewer Ltd
ISBN:  

9781843842415


Pages:   216
Publication Date:   15 July 2010
Format:   Hardback
Availability:   In Print   Availability explained
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Reimagining Shakespeare's Playhouse: Early Modern Staging Conventions in the Twentieth Century


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Full Product Details

Author:   Joe Falocco (Royalty Account)
Publisher:   Boydell & Brewer Ltd
Imprint:   D.S. Brewer
Dimensions:   Width: 15.60cm , Height: 1.80cm , Length: 23.40cm
Weight:   0.412kg
ISBN:  

9781843842415


ISBN 10:   1843842416
Pages:   216
Publication Date:   15 July 2010
Audience:   Professional and scholarly ,  College/higher education ,  Professional and scholarly ,  Professional & Vocational ,  Tertiary & Higher Education
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

Introduction William Poel Harley Granville Barker Nugent Monck Tyrone Guthrie The New Globe Conclusion Works Cited

Reviews

This book is as good as it gets on the controversy surrounding the architecture of the Elizabethan stage and the performance practices permitted or enforced by it. Joe Falocco writes with clarity, wisdom and a theatrical understanding far more reliable than that of most of the familiar participants in the debate. (His) artfully constructed book opens up new ways among the old. It is generous, optimistic, eloquent and fresh. STUDIES IN THEATRE AND PERFORMANCE


(A) thoroughly researched and provocative study. CONTEMPORARY THEATRE REVIEW An illuminating, well-researched historiography. SHAKESPEARE BULLETIN A nuanced, highly detailed study of modern attempts to re-create Elizabethan conventions and playing spaces. CHOICE This book is as good as it gets on the controversy surrounding the architecture of the Elizabethan stage and the performance practices permitted or enforced by it. Joe Falocco writes with clarity, wisdom and a theatrical understanding far more reliable than that of most of the familiar participants in the debate. (His) artfully constructed book opens up new ways among the old. It is generous, optimistic, eloquent and fresh. STUDIES IN THEATRE AND PERFORMANCE


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