Overview

How are users influenced by social media platforms when they generate content, and does this influence affect users' compliance with copyright laws? These are pressing questions, and Regulating Content on Social Media answers them by analysing how the behaviours of social media users are regulated from a copyright perspective.

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9781787351738

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This book makes an important contribution to the field of social media and copyright. It tackles the real issue of how social media is designed to encourage users to engage in generative practices, in a sense effectively 'seducing' users into practices that involve misuse or infringement of copyright, whilst simultaneously normalising such practices. --Melissa de Zwart, Adelaide Law School, Australia This timely and accessible book examines the regulation of content generative activities across five popular social media platforms--Facebook, Pinterest, YouTube, Twitter, and Wikipedia. Its in-depth, critical, and comparative analysis of the platforms' growing efforts to align terms of service and technological features with copyright law should be of great interest to anyone studying the interplay of law and new media. --Peter K. Yu, director, Center for Law and Intellectual Property, Texas A&M University

This timely and accessible book examines the regulation of content generative activities across five popular social media platforms--Facebook, Pinterest, YouTube, Twitter, and Wikipedia. Its in-depth, critical, and comparative analysis of the platforms' growing efforts to align terms of service and technological features with copyright law should be of great interest to anyone studying the interplay of law and new media. --Peter K. Yu, director, Center for Law and Intellectual Property, Texas A&M University This book makes an important contribution to the field of social media and copyright. It tackles the real issue of how social media is designed to encourage users to engage in generative practices, in a sense effectively 'seducing' users into practices that involve misuse or infringement of copyright, whilst simultaneously normalising such practices. --Melissa de Zwart, Adelaide Law School, Australia

Author Information

Corinne Tan holds a PhD and LLM from the Melbourne Law School, as well as a LLB from the National University of Singapore. She was called to the Singapore Bar as Advocate & Solicitor in 2007. She is an internet governance, intellectual property and media law scholar who draws from her broad experience teaching and researching in Australia and Singapore. She has published widely in international law journals.

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