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9781350282766

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As Japonisme studies grow, Elizabeth Emery's Reframing Japonisme will gain adherents owing to the meticulous way the author has researched the field to open new insights on women's role in promoting Japanese art and culture. Her detailed detective work demonstrates that women increased the availability of Japanese objects as they established collections and museums. This pioneering book will be used for years to come by those involved in expanding the parameters of the Japonisme movement in France. * Gabriel P. Weisberg, Professor Emeritus, University of Minnesota, USA and Managing Editor, Journal of Japonisme * Emery unearths references new even to specialist scholars and her analysis of familiar images and texts reveals new, and completely compelling, insights. This book will fundamentally change the study of Japonisme. It is a huge accomplishment. * Christopher Reed, The Pennsylvania State University, USA and author of Bachelor Japanists: Japanese Aesthetics and Western Masculinities * Reframing Japonisme's aim is to credit Gisette for her considerable, if unusual, success as a collector and thereby revitalize the story of japonisme and Japanese art collecting in the 19th century. Its tight storytelling and dissection of myopic narratives embedded in historical canons make the truism that women's history is just history apply just as much to the art world as anywhere else. * Asian Review of Books * Through inexhaustible detective work [...] Emery brings new perspectives to light that convincingly allow her to reframe Japonisme and the nature of the Asian art market in nineteenth-century France [in] an important and eye-opening contribution to the history of Japonisme and gender studies. * Helena Kaberg, Journal of Design History *

As Japonisme studies grow, Elizabeth Emery’s Reframing Japonisme will gain adherents owing to the meticulous way the author has researched the field to open new insights on women’s role in promoting Japanese art and culture. Her detailed detective work demonstrates that women increased the availability of Japanese objects as they established collections and museums. This pioneering book will be used for years to come by those involved in expanding the parameters of the Japonisme movement in France. * Gabriel P. Weisberg, Professor Emeritus, University of Minnesota, USA and Managing Editor, Journal of Japonisme * Emery unearths references new even to specialist scholars and her analysis of familiar images and texts reveals new, and completely compelling, insights. This book will fundamentally change the study of Japonisme. It is a huge accomplishment. * Christopher Reed, The Pennsylvania State University, USA and author of Bachelor Japanists: Japanese Aesthetics and Western Masculinities * Reframing Japonisme’s aim is to credit Gisette for her considerable, if unusual, success as a collector and thereby revitalize the story of japonisme and Japanese art collecting in the 19th century. Its tight storytelling and dissection of myopic narratives embedded in historical canons make the truism that “women’s history is just history” apply just as much to the art world as anywhere else. * Asian Review of Books * “Through inexhaustible detective work […] Emery brings new perspectives to light that convincingly allow her to reframe Japonisme and the nature of the Asian art market in nineteenth-century France [in] an important and eye-opening contribution to the history of Japonisme and gender studies.” * Helena Kåberg, Journal of Design History *

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Elizabeth Emery is Professor of French at Montclair State University, USA.

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