ReFocus: The Films of Agnieszka Holland

Awards:   Commended for Janovics Centre Award: Special Mention 2025
Author:   Elzbieta Ostrowska (Associate Professor, University of Łódź, Poland)
Publisher:   Edinburgh University Press
ISBN:  

9781399514682


Pages:   312
Publication Date:   30 January 2026
Format:   Paperback
Availability:   Not yet available   Availability explained
This item is yet to be released. You can pre-order this item and we will dispatch it to you upon its release.

Our Price $57.99 Quantity:  
Pre-Order

Share |

ReFocus: The Films of Agnieszka Holland


Awards

  • Commended for Janovics Centre Award: Special Mention 2025

Overview

The Films of Agnieszka Holland is the first monograph devoted to the internationally most famous Polish filmmaker, a three times Oscar nominee and the recipient of numerous film festival prizes. It examines her rich, original oeuvre, which ranges from Holocaust dramas such as Europa, Europa (1990) to episodes of the HBO series The Wire. In examining the multifaceted nature of Holland's authorship, the study situates her work in the context of art, popular, national, European, Hollywood, transnational, women's, and queer cinema, as well as global television projects. Her colourful public persona oscillates among auteur, celebrity director, and political activist in an extraordinary professional trajectory, which started in the Eastern Bloc, continued in Western Europe and North America, then backtracked to a unified Europe. That zigzagged route conveys the unique nature of Holland's career while epitomising the transformations of post-Cold War cultural production.

Full Product Details

Author:   Elzbieta Ostrowska (Associate Professor, University of Łódź, Poland)
Publisher:   Edinburgh University Press
Imprint:   Edinburgh University Press
ISBN:  

9781399514682


ISBN 10:   1399514687
Pages:   312
Publication Date:   30 January 2026
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Forthcoming
Availability:   Not yet available   Availability explained
This item is yet to be released. You can pre-order this item and we will dispatch it to you upon its release.

Table of Contents

Preface Acknowledgments Introduction: authorship, women’s cinema, and transnational screen cultures Chapter One: Early years: pains and joys Chapter Two: Art, politics, and gender: Holland’s participation in socialist Poland’s screen cultures Chapter Three: European exilic cinema Chapter Four: Transatlantic journey/adventure, or the re-phase Chapter Five: From cinematic metteur en scène to television auteur? Chapter Six: ‘Back home’ or ‘There’s no such place as home’: postcommunist political cinema revisited Chapter Seven: Performing authorship: from celebrity director to celebrity activist Conclusion Filmography Bibliography

Reviews

""With more than 40 feature films to her name – and counting – film director Agnieszka Holland may be the most prolific female filmmaker in history today. Elżbieta Ostrowska weaves together the multiple strands of this illustrious career in an absorbing narrative that reveals a persistency of vision in the name of an unobstructed creativity. From the studio system of communist Poland to Hollywood's production machine to a variety of European discursive agendas, Holland's creative and public persona emerges all over again -- unscathed, and with renewed vigor and ingenuity against the odds of adverse industrial, critical and nationalist discourses. A fascinating case study of a nomadic pioneer of transnational filmmaking."" -- Dina Iordanova, Emeritus Professor in Global Cinema, University of St Andrews, Scotland ""Combining meticulous research, critical acumen, and  theoretical sophistication, Ostrowska  judiciously tracks the ways in which the concerns of ethics, politics, identity, gender and spirituality have criss-crossed  Holland’s provocative oeuvre. Particularly impressive is her tenacious grasp of its Protean  shifts between auteurism, national and transnational cinema, Hollywood, and ‘women’s cinema’"" -- Paul Coates, Emeritus Professor of Film Studies, Western University, Canada Through close textual and contextual analyses (paying attention to production contexts and modes of circulation) of Holland’s films along the three intersecting axes of authorship, women’s cinema and transnational cinema, this study yields original insights that go far beyond a conventional auteur cinema approach. Based on meticulous research, Refocus: The Films of Agnieszka Holland traces the fragmented, hard-to-narrativize history of Eastern European fictional filmmaking. -- Jury members * The Janovics Center Award for Outstanding Humanities Research in Transnational Film and Theatre Studies * Ostrowska’s book is a veritable scholarly monograph in the sense that it not only reports on Holland’s life and oeuvre but also carefully filters the material through various film studies frameworks. In doing so, the author not only sheds interpretative light on specific issues within Holland’s oeuvre but also meaningfully reinterprets the frameworks and theoretical approaches themselves. -- Teréz Vincze * Eastern European Screen Studies *


Ostrowska's book is a veritable scholarly monograph in the sense that it not only reports on Holland's life and oeuvre but also carefully filters the material through various film studies frameworks. In doing so, the author not only sheds interpretative light on specific issues within Holland's oeuvre but also meaningfully reinterprets the frameworks and theoretical approaches themselves. --Teréz Vincze ""Eastern European Screen Studies"" Through close textual and contextual analyses (paying attention to production contexts and modes of circulation) of Holland's films along the three intersecting axes of authorship, women's cinema and transnational cinema, this study yields original insights that go far beyond a conventional auteur cinema approach. Based on meticulous research, Refocus: The Films of Agnieszka Holland traces the fragmented, hard-to-narrativize history of Eastern European fictional filmmaking.--Jury members ""The Janovics Center Award for Outstanding Humanities Research in Transnational Film and Theatre Studies"" ""Combining meticulous research, critical acumen, and theoretical sophistication, Ostrowska judiciously tracks the ways in which the concerns of ethics, politics, identity, gender and spirituality have criss-crossed Holland's provocative oeuvre. Particularly impressive is her tenacious grasp of its Protean shifts between auteurism, national and transnational cinema, Hollywood, and 'women's cinema'"" --Paul Coates, Emeritus Professor of Film Studies, Western University, Canada ""With more than 40 feature films to her name - and counting - film director Agnieszka Holland may be the most prolific female filmmaker in history today. Elżbieta Ostrowska weaves together the multiple strands of this illustrious career in an absorbing narrative that reveals a persistency of vision in the name of an unobstructed creativity. From the studio system of communist Poland to Hollywood's production machine to a variety of European discursive agendas, Holland's creative and public persona emerges all over again -- unscathed, and with renewed vigor and ingenuity against the odds of adverse industrial, critical and nationalist discourses. A fascinating case study of a nomadic pioneer of transnational filmmaking."" --Dina Iordanova, Emeritus Professor in Global Cinema, University of St Andrews, Scotland


Author Information

Elżbieta Ostrowska, PhD, is an Associate Professor at the Department of Film and Audiovisual Media at the University of Łódź, Poland. Her most recent book is ReFocus: The Films of Agnieszka Holland (2024). Her articles have appeared in Slavic Review, Studies in European Cinema, and Holocaust and Genocide Studies.

Tab Content 6

Author Website:  

Countries Available

All regions
Latest Reading Guide

NOV RG 20252

 

Shopping Cart
Your cart is empty
Shopping cart
Mailing List