Redefining Eclecticism in Early Modern Bolognese Painting: Ideology, Practice, and Criticism

Author:   Daniel Unger
Publisher:   Amsterdam University Press
Edition:   0
Volume:   8
ISBN:  

9789462986015


Pages:   240
Publication Date:   25 February 2019
Format:   Hardback
Availability:   In Print   Availability explained
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Redefining Eclecticism in Early Modern Bolognese Painting: Ideology, Practice, and Criticism


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Author:   Daniel Unger
Publisher:   Amsterdam University Press
Imprint:   Amsterdam University Press
Edition:   0
Volume:   8
ISBN:  

9789462986015


ISBN 10:   9462986010
Pages:   240
Publication Date:   25 February 2019
Audience:   Professional and scholarly ,  Adult education ,  Professional & Vocational ,  Further / Higher Education
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

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"""There is a long history of dispute over the word eclecticism and its application to paintings of the Carracci school. Unger (Ben-Gurion Univ., Israel) surveys the rise and fall of that term and makes a valiant and deft attempt to resuscitate it and apply it to particular works. Unger sorts out knotty controversies = clearly and cogently, aware that postmodernism currently makes new space for eclecticism."" Summing Up: Recommended - P. Emison, University of New Hampshire, CHOICE Reviews, November 2019 Vol. 57 No. 3"


There is a long history of dispute over the word eclecticism and its application to paintings of the Carracci school. Unger (Ben-Gurion Univ., Israel) surveys the rise and fall of that term and makes a valiant and deft attempt to resuscitate it and apply it to particular works. Unger sorts out knotty controversies = clearly and cogently, aware that postmodernism currently makes new space for eclecticism. Summing Up: Recommended - P. Emison, University of New Hampshire, CHOICE Reviews, November 2019 Vol. 57 No. 3


= there is a long history of dispute over the word eclecticism and its application to paintings of the Carracci school. Unger (Ben-Gurion Univ., Israel) surveys the rise and fall of that term and makes a valiant and deft attempt to resuscitate it and apply it to particular works. Unger sorts out knotty controversies = clearly and cogently, aware that postmodernism currently makes new space for eclecticism. Summing Up: Recommended -- P. Emison, University of New Hampshire, *CHOICE Reviews*, November 2019 Vol. 57 No. 3


= there is a long history of dispute over the word eclecticism and its application to paintings of the Carracci school. Unger (Ben-Gurion Univ., Israel) surveys the rise and fall of that term and makes a valiant and deft attempt to resuscitate it and apply it to particular works. Unger sorts out knotty controversies = clearly and cogently, aware that postmodernism currently makes new space for eclecticism. Summing Up: Recommended -- P. Emison, University of New Hampshire, *CHOICE Reviews*, November 2019 Vol. 57 No. 3


Author Information

Daniel M. Unger teaches the History of Early Modern Art at Ben-Gurion University, Israel. His research focuses on seventeenth-century Bolognese and Roman painting. His recent book Redefining Eclecticism in Early Modern Bolognese Painting: Ideology, Practice, and Criticism was published by Amsterdam University Press in 2019.

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