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Author:   Daniel M. Unger
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Weight:   0.440kg
ISBN:  

9781041184980

ISBN 10:   1041184980
Pages:   240
Publication Date:   01 December 2025
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   Manufactured on demand  
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Table of Contents

List of Plates and Figures Preface Introduction Chapter One: Defining Eclecticism - Assimilated Eclecticism - Vasari's Raphael - Arbitrary Eclecticism - Non-Assimilated Eclecticism - A Definition Chapter Two: Ideology - Gabriele Paleotti's Discourse on Sacred Images - A Pictorial Manifest: Alliance between Disegno and Colore - Carlo Cesare Malvasia and the Assemblage of Styles Chapter Three: Practice - The Terrestrial and Celestial Realms - Portraits of Saints: St. Carlo Borromeo - Other Eclectic Paintings Chapter Four: Criticism - Winckelmann's Introduction of Eclecticism into Artistic Discourse - The Nineteenth-Century Juste milieu - The Dismissal of Eclecticism in the Twentieth Century, Conclusion: The Eclectic Approach Epilogue: Eclecticism in a Roman Chapel, Works Cited

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Author Information

Daniel M. Unger teaches the History of Early Modern Art at Ben-Gurion University, Israel. His research focuses on seventeenth-century Bolognese and Roman painting. His recent book Redefining Eclecticism in Early Modern Bolognese Painting: Ideology, Practice, and Criticism was published by Amsterdam University Press in 2019.

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