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Brilliant and provocative, William Kuskin's Recursive Origins: Writing at the Transition to Modernity is original in its combination of literary and book history, compelling in its vision of a model of recursion, and inspiring in its ambitiousness. It is the kind of book that literary studies needs right now. -Kent Cartwright, University of Maryland In this pioneering work, William Kuskin turns a keen eye on the literary production of early modernity and discovers there the traces of recursivity: instances in which ostensible breaks with the past turn out always to embed the past. As a mode of composition, recursivity challenges the very tenets of literary history and thus requires its own method of literary criticism. Instead of reading works through the lens of periodization, Kuskin argues, we would do better to read them with their own pasts in view: that is, as they appear in the physical books in which they first appeared, whose codicological semiotics often recur to an earlier period-in the case of the works Kuskin considers, to the Middle Ages. -Martha Rust, New York University Kuskin has written a timely, important book. . . . As one of the leading authorities on the English printer, editor, and translator William Caxton, Kuskin clearly establishes the need for those in English studies to look at the texts of the fifteeenth century. There one will find the origins of the so-called early modern period and the canonical authors who wrote them. -Choice Recursive Origins is exceptionally strong in its detail, and will be of value to anybody interested in the reception of late medieval culture in the sixteenth and seventeenth centuries, or in the relationship between manuscript and print technologies. -SHARP News This study thus importantly contributes to current conversations that seek to emphasize literary history's formal properties. Although Kuskin does not press the point, he also usefully spells out how familiar versions of medieval and early modern periodization take their cue from sixteenth-century writers themselves, who repeatedly claim to depart from the past even as their works recur upon its material texts and tropes. -Renaissance Quarterly Overall, Recursive Origins makes a brilliant argument, all the more so for its seeming simplicity. Kuskin's theory of textual formalism already underlies some of the best scholarly work being done in the field and it promises fruitful re-contextualizations of canonical works for years to come. Indeed, like the best academic studies, Recursive Origins presents an overwhelmingly elegant solution to a pervasive and hotly debated problem. -The Sixteenth Century Journal Recursive Origins tells a compelling story with a clear antagonist: the literary period. William Kuskin's mighty ambition in this book is to 'provide an alternative model for conceiving of literary history,' resisting the totalizing temporal categories of modernity and the logic of revolution or rupture . . . that defines and legitimizes them. -Modern Language Quarterly Kuskin is an attentive reader of literary texts, a sharp critic of contacts and overlaps between texts from different centuries, and an effective synthesizer of a complex and vast body of evidence and arguments about print, bibliography, and textual history of literary texts which he analyzes with great skill in this timely book. -Renaissance and Reformation

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William Kuskin is professor of English at the University of Colorado Boulder. He is the editor of Caxton's Trace: Studies in the History of English Printing (2006) and author of Symbolic Caxton: Literary Culture and Print Capitalism (2008), both published by the University of Notre Dame Press.

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