Recording On The Go

Author:   Paul Hennerich IV ,  Gary Gottlieb
Publisher:   Cengage Learning, Inc
ISBN:  

9781598635010


Pages:   320
Publication Date:   01 April 2008
Format:   Book
Availability:   In Print   Availability explained
Limited stock is available. It will be ordered for you and shipped pending supplier's limited stock.

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Recording On The Go


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Full Product Details

Author:   Paul Hennerich IV ,  Gary Gottlieb
Publisher:   Cengage Learning, Inc
Imprint:   Delmar Cengage Learning
Dimensions:   Width: 19.00cm , Height: 2.00cm , Length: 23.30cm
Weight:   0.660kg
ISBN:  

9781598635010


ISBN 10:   1598635018
Pages:   320
Publication Date:   01 April 2008
Audience:   General/trade ,  General
Format:   Book
Publisher's Status:   Out of Print
Availability:   In Print   Availability explained
Limited stock is available. It will be ordered for you and shipped pending supplier's limited stock.

Table of Contents

Introduction; Part I: The Basics of Live Recording; Chapter 1: Why Record Live?; Chapter 2: Sound in Space; Chapter 3: The Key to Success: Planning; Chapter 4: Gig Psychology: Playing with Others; Chapter 5: Understanding and Respecting Power and Ground; Part II: Gear; Chapter 6: Basic Gear; Chapter 7: Where We Keep Stuff: Data Storage; Chapter 8: Decisions, Decisions - To Wheel In or Not to Wheel In: That Is the Question; Part III: The Gig; Chapter 9: Recording Big (Because We Always Record Big): Clubs, Rock, Jazz, and Blues; Chapter 10: Recording Bigger: Large-Ensemble Recording on Location; Chapter 11: Recording Biggest: Stadiums, Sporting Events, Music Festivals, and Made-for-TV Events; Chapter 12: Location Recording for Visual Media; Chapter 13: Surrounded!; Chapter 14: Harnessing Sound; Chapter 15: Finding Your Perch; Chapter 16: Work and Play Well with Others: Interfacing with the Live Sound System; Part IV: The Day After Chapter 17: What Have We Got? Can We Fix It in the Mix? Chapter 18: Editing and Sweetening; Chapter 19: Software and Such; Chapter 20: The Final Frontier; Appendix A: Popular Microphones and Their Placement; Appendix B: Glossary

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Section I: Basics of Mobile Recording Chapter 1: Why Record Live? Chapter 2: Sound in Space Chapter 3: The Key to Success: Planning Chapter 4: Gig Psychology: What they want (vs. what they ask for) Chapter 5: Power and Ground Section II: Gear Chapter 6: Hardware Chapter 7: Storage, Retrieval and File Management Chapter 8: Facilities Section III: The Gig Chapter 9: Recording Big Chapter 10: Recording Bigger Chapter 11: Recording Biggest: Stadium Events Chapter 12: Field and Studio Recording for Visual and other Media Chapter 13: Surround Sound Chapter 14: Harnessing Sound Chapter 15: Finding your Perch Chapter 16: Interfacing with the Location Section IV: The Day After Chapter 17: Finding Out what you Really Have


Author Information

Longtime music business professional Gary Gottlieb refers to himself as a music generalist. A professional musician since age 13, he worked in radio on and off for 25 years, and was a music critic for 9 years. As a recording engineer and music producer in New York, Gottlieb's long and distinguished career includes work with numerous Grammy Award winners and Rock & Roll Hall of Fame inductees. His credits as a sound designer include off-off-Broadway productions, along with community and college theatre productions throughout New England. Along with his history as a music critic and entertainment writer for the Deerfield Valley News in West Dover, Vermont, and a disc jockey for WEQX, a major modern rock station in Manchester, Vermont, Gottlieb owned and operated a mobile DJ service and was a Venue Director for numerous X Games and Winter X Games for ESPN. In 2002 he accepted a position as Professor of Audio Production at Webster University in St. Louis, where he now runs the Audio program. Paul Hennerich is the owner and chief engineer of PanGalactic Recordings, whose clients include the Saint Louis Symphony Orchestra. Hennerich has been the recording engineer for the symphony for more than 10 years. For five years, he was recording engineer and audio producer for a syndicated National Public Radio show of the symphony's live performances. In addition, his work as recording engineer and editor for the symphony CD Messiaen: Turangalila-symphonie helped earn the CD a mention as a ""Record to Die For"" by Stereophile and a Netherlands' Edison ClassicalMusic award in the Special Historical Editions category in 2008. Hennerich is a contributing location producer and recording engineer for another syndicated NPR show, JazzSet, producing recordings of concerts by the Dirty Dozen Brass Band and others. In addition to his experience working with live recordings for national programs, Hennerich also has been technical director and audio producer for live broadcasts for KMOX and KFUO. Hennerich, a full adjunct professor of audio for Webster University, is also a partner in AAM Recordings, a small independent record label specializing in location recording. His experience also includes location recording and work as a mastering engineer for music from indie heavy metal to blues and location recording for web streaming of a concert series produced by the symphony and the Pulitzer Arts Foundation. He started his career as a front-of-house engineer for venues, including the 12,000-seat Muny (St. Louis Municipal Opera) and the more than 10,000-person crowd at the St. Louis Blues Festival.

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