Reason Not: Emotional Appeal in Shakespeare’s Drama

Author:   Omry Smith
Publisher:   Verlag Peter Lang
Edition:   New edition
ISBN:  

9783039114009


Pages:   332
Publication Date:   09 November 2009
Format:   Paperback
Availability:   Awaiting stock   Availability explained
The supplier is currently out of stock of this item. It will be ordered for you and placed on backorder. Once it does come back in stock, we will ship it out for you.

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Reason Not: Emotional Appeal in Shakespeare’s Drama


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Full Product Details

Author:   Omry Smith
Publisher:   Verlag Peter Lang
Imprint:   Verlag Peter Lang
Edition:   New edition
Weight:   0.470kg
ISBN:  

9783039114009


ISBN 10:   303911400
Pages:   332
Publication Date:   09 November 2009
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   Awaiting stock   Availability explained
The supplier is currently out of stock of this item. It will be ordered for you and placed on backorder. Once it does come back in stock, we will ship it out for you.

Table of Contents

Contents: Henry V: Machiavelli’s The Prince, Henry V and the Rhetoric of Intimidation - Regulating the Degrees of Anger and Fear as the Key to Victory - The Play’s Emotional Appeals and Their Questionable Effect on the Plot – Julius Caesar: The Anger Hidden Within Brutus’ Heart - Reason and Passion in the Orchard Soliloquy and in Brutus’ Speech to the Populace - ‘The Cause is in the Will’: The Rationalisation of Emotion in the Play - Brutus Inflames Italy through a Series of Unintentional Emotional Appeals – Othello: Othello’s Desire for Reason - Rousing Othello’s Passions by Exploiting His Desire for Reason - The Figure of Reasoning as an Effective Means of Rousing Would-Be Men of Reason - The Figure of Reasoning and Othello’s Active Role in His Own Downfall – Coriolanus: The Obsession with ‘Name’ in Coriolanus - The Power of Ethos in the Rhetorical Processes of the Play - The Emotional Appeals That Defeat Coriolanus and Their Foundations in Ethos - Ethos, Shame, and Coriolanus’ Surrender to His Mother’s Persuasion – Shakespeare’s Emotional Appeals in Light of Modern Theories of the Emotions.

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Author Information

The Author: Omry Smith teaches Shakespearean drama and play analysis in the Department of Theatre Studies at the University of Haifa. He received his Ph.D. in theatre studies from Tel-Aviv University, where his thesis focused on Shakespeare’s dramatic use of emotional appeal. He is a graduate of the Nissan Nativ Acting Studio, Jerusalem, and is actively engaged in theoretical research through acting and translating plays.

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