Real Theatre: Essays in Experience

Author:   Paul Rae (University of Melbourne)
Publisher:   Cambridge University Press
ISBN:  

9781107186590


Pages:   246
Publication Date:   27 December 2018
Format:   Hardback
Availability:   In stock   Availability explained
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Real Theatre: Essays in Experience


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Author:   Paul Rae (University of Melbourne)
Publisher:   Cambridge University Press
Imprint:   Cambridge University Press
Dimensions:   Width: 15.80cm , Height: 1.50cm , Length: 23.50cm
Weight:   0.540kg
ISBN:  

9781107186590


ISBN 10:   1107186595
Pages:   246
Publication Date:   27 December 2018
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   In stock   Availability explained
We have confirmation that this item is in stock with the supplier. It will be ordered in for you and dispatched immediately.

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Reviews

'Real Theatre is an elegant and entertaining read that makes a major contribution to debates around the realities of making - and watching - theatre. This is a book characterized by its willingness to engage seriously with the mass cultural forms of theatre that are so often overlooked by scholars, offering an analysis of the sophisticated ways in which audiences consume performance. A genuinely original and energetic approach to how we might conceptualise the theatre event, this book is a humane and richly insightful account of the peculiar realities that comprise theatrical performance.' Aoife Monks, Queen Mary University of London 'Real Theatre is an elegant and entertaining read that makes a major contribution to debates around the realities of making - and watching - theatre. This is a book characterized by its willingness to engage seriously with the mass cultural forms of theatre that are so often overlooked by scholars, offering an analysis of the sophisticated ways in which audiences consume performance. A genuinely original and energetic approach to how we might conceptualise the theatre event, this book is a humane and richly insightful account of the peculiar realities that comprise theatrical performance.' Aoife Monks, Queen Mary University of London


'Real Theatre is an elegant and entertaining read that makes a major contribution to debates around the realities of making - and watching - theatre. This is a book characterized by its willingness to engage seriously with the mass cultural forms of theatre that are so often overlooked by scholars, offering an analysis of the sophisticated ways in which audiences consume performance. A genuinely original and energetic approach to how we might conceptualise the theatre event, this book is a humane and richly insightful account of the peculiar realities that comprise theatrical performance.' Aoife Monks, Queen Mary University of London 'It is the great strength and joy of Real Theatre that it recognizes that, whenever it comes to the matter of theatre, and sometimes most illuminatingly when it doesn't, that thing is forever and everywhere decidedly 'only theatre' and, as such, absolutely essential.' Alan Read, Modern Drama


Advance praise: 'Real Theatre is an elegant and entertaining read that makes a major contribution to debates around the realities of making - and watching - theatre. This is a book characterized by its willingness to engage seriously with the mass cultural forms of theatre that are so often overlooked by scholars, offering an analysis of the sophisticated ways in which audiences consume performance. A genuinely original and energetic approach how we might conceptualise the theatre event, this book is a humane and richly insightful account of the peculiar realities that comprise theatrical performance.' Aoife Monks, Queen Mary University of London Advance praise: 'Real Theatre is an elegant and entertaining read that makes a major contribution to debates around the realities of making - and watching - theatre. This is a book characterized by its willingness to engage seriously with the mass cultural forms of theatre that are so often overlooked by scholars, offering an analysis of the sophisticated ways in which audiences consume performance. A genuinely original and energetic approach how we might conceptualise the theatre event, this book is a humane and richly insightful account of the peculiar realities that comprise theatrical performance.' Aoife Monks, Queen Mary University of London


Author Information

Paul Rae is Associate Professor in Theatre Studies at the University of Melbourne. He is the author of Theatre and Human Rights (2009). He has published widely on contemporary theatre and on Asia-Pacific performance cultures, and from 2015–18 was Senior Editor of the journal Theatre Research International.

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