Overview

Their families call them the Gifted. They call themselves the Losts. And to everyone outside Brennex, they were ordinary people--until now. Libbi Wilder is the good kid. While her older siblings have traveled the galaxy having adventures, she's stayed home to run the family store. Someone has to, after all. Then a stranger shows up at the store, and people Libbi's age--the Losts--start going missing. Libbi and her best friend Mixin set out to investigate, but before they find answers, Libbi's brother and sister swoop in to save the day without being asked, reigniting old resentments. Libbi knows she'll always be the baby of the family, but if she can solve the disappearances, maybe she can finally win her siblings' respect. Except the truth behind the missing people is worse than she feared. With the long-held secret of their gifts now exposed, Libbi will have to rally the Losts--and harder still, work with her siblings and their partners--to save them all from falling under Ravel Corporation's control in this gripping conclusion to the Gifted of Brennex trilogy.

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Jo Miles writes optimistic science fiction and fantasy, including queer space opera trilogy The Gifted of Brennex, which begins with Warped State. Their short stories have appeared in Fantasy & Science Fiction, Strange Horizons, Lightspeed, and more. Jo lives in Maryland. Adi Cabral is a classically trained actor, dialect coach, and intimacy director holding their MFA in theater performance from Arizona State University. Their work has been shared on stage at the Arvada Center for the Arts and Humanities (Colorado), the Repertory Theatre of St. Louis (Missouri), New Repertory Theatre (Massachusetts), the Stella Adler Studio of Acting (New York), Mildred's Umbrella Theatre Company (Texas), The New Hazlett Theater (Pennsylvania), The Hangar Theatre Company (New York), Central Square Theatre (Massachusetts), Latino Theater Company (California), and the Edinburgh Fringe Festival (Scotland, UK). Adi is a certified teacher of Fitzmaurice Voicework and Knight-Thompson Speechwork. As a professor of theater, voice, and movement, their research focuses on inclusive practices for training LGBTQ+ identified actors.

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