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Rarities of these Lands is a rich reflection on the gap between the enchanting facade we call the Dutch Golden Age, on display...in every exhibition of 17th-century Dutch painting, and the riches, rarities and loot in the warehouse behind. ---Timothy Brook, Times Literary Supplement

Rarities of these Lands is a rich reflection on the gap between the enchanting facade we call the Dutch Golden Age, on display...in every exhibition of 17th-century Dutch painting, and the riches, rarities and loot in the warehouse behind. ---Timothy Brook, Times Literary Supplement A magnificent achievement. . . this book is the fruit of an impressively wide reading of both visual and written sources, and thus manages to paint an unusually rich picture of the early stages of the Dutch Golden Age. ---Maarten Prak, Early Modern Low Countries The early modern phenomenon of the kunstcamer or rariteytencamer (cabinets of curiosities) is a recurrent theme for Swan, and indeed each chapter might be likened to its own self-contained kunstcamer, packed with amazing images and a wide array of intriguing anecdotes. . .All of these wonders and more await the reader in lavishly illustrated pages. ---Ellsworth Hamann, CAA Reviews

Rarities of these Lands is a rich reflection on the gap between the enchanting facade we call the Dutch Golden Age, on display...in every exhibition of 17th-century Dutch painting, and the riches, rarities and loot in the warehouse behind. ---Timothy Brook, Times Literary Supplement A magnificent achievement. . . this book is the fruit of an impressively wide reading of both visual and written sources, and thus manages to paint an unusually rich picture of the early stages of the Dutch Golden Age. ---Maarten Prak, Early Modern Low Countries

"""Rarities of these Lands is a rich reflection on the gap between the enchanting facade we call the Dutch Golden Age, on display...in every exhibition of 17th-century Dutch painting, and the riches, rarities and loot in the warehouse behind.""---Timothy Brook, Times Literary Supplement ""Claudia Swan’s masterful study explores the Dutch taste for consumption, and the means by which distant lands were reached and foreign goods accessed, first by seizing and plundering Portuguese and Spanish cargoes, then by engaging in war and conquest. . . . Rarities of these Lands provides a rich narrative about the circulation of exotic material culture and the history of collecting in the seventeenth century. ""---Annemarie Jordan Gschwend, Journal of the History of Collections ""The early modern phenomenon of the kunstcamer or rariteytencamer (cabinets of curiosities) is a recurrent theme for Swan, and indeed each chapter might be likened to its own self-contained kunstcamer, packed with amazing images and a wide array of intriguing anecdotes. . .All of these wonders and more await the reader in lavishly illustrated pages.""---Ellsworth Hamann, CAA Reviews ""Rarities of these Lands is a magnificent achievement. . . . [It] integrate[s] art historical and historical perspectives on the history of a single country into a compelling tale of global connections and entanglements.""---Maarten Prak, Early Modern Low Countries ​​​​​​​ ""Rarities of these Lands not only makes important claims about the founding of the Dutch Republic but also speaks to the interdependence of commerce, art, and political self-fashioning among populations across the early modern world. . . . Rich in formal analysis, the passages describing individual works of art are beautifully articulated. . . . An essential work.""---Dawn Odell, Historians of Netherlandish Art Reviews"

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Claudia Swan is the Mark S. Weil Professor of Early Modern Art in the Department of Art History and Archaeology at Washington University in St. Louis. She is the author of Art, Science, and Witchcraft in Early Modern Holland: Jacques de Gheyn II (15651629) and The Clutius Botanical Watercolors: Plants and Flowers of the Renaissance. Twitter @raritiesof

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