Rap Music and Street Consciousness

Awards:   Winner of <DIV>A CHOICE Outstanding Academic Title, 2004.</DIV> 2004
Author:   Cheryl L. Keyes
Publisher:   University of Illinois Press
ISBN:  

9780252072017


Pages:   336
Publication Date:   05 March 2004
Format:   Paperback
Availability:   Out of stock   Availability explained
The supplier is temporarily out of stock of this item. It will be ordered for you on backorder and shipped when it becomes available.

Our Price $60.99 Quantity:  
Add to Cart

Share |

Rap Music and Street Consciousness


Add your own review!

Awards

  • Winner of <DIV>A CHOICE Outstanding Academic Title, 2004.</DIV> 2004

Overview

In this first musicological history of rap music, Cheryl L. Keyes traces the genre's history from its roots in West African bardic traditions, the Jamaican dancehall tradition, and African American vernacular expressions to its permeation of the cultural mainstream as a major tenet of hip-hop lifestyle and culture. Rap music, according to Keyes, is a forum that addresses the political and economic disfranchisement of black youths and other groups, fosters ethnic pride, and displays culture values and aesthetics. Blending popular culture with folklore and ethnomusicology, Keyes offers a nuanced portrait of the artists, themes, and varying styles reflective of urban life and street consciousness. Drawing on the music, lives, politics, and interests of figures including Afrika Bambaataa, the ""godfather of hip-hop,"" and his Zulu Nation, George Clinton and Parliament-Funkadelic, Grandmaster Flash, Kool ""DJ"" Herc, MC Lyte, LL Cool J, De La Soul, Public Enemy, Ice-T, DJ Jazzy Jeff and the Fresh Prince, and The Last Poets, Rap Music and Street Consciousness challenges outsider views of the genre.The book also draws on ethnographic research done in New York, Los Angeles, Detroit and London, as well as interviews with performers, producers, directors, fans, and managers. Keyes's vivid and wide-ranging analysis covers the emergence and personas of female rappers and white rappers, the legal repercussions of technological advancements such as electronic mixing and digital sampling, the advent of rap music videos, and the existence of gangsta rap, Southern rap, acid rap, and dance-centered rap subgenres. Also considered are the crossover careers of rap artists in movies and television; rapper-turned-mogul phenomenons such as Queen Latifah; the multimedia empire of Sean ""P. Diddy"" Combs; the cataclysmic rise of Death Row Records; East Coast versus West Coast tensions; the deaths of Tupac Shakur and Christopher ""The Notorious B.I.G."" Wallace; and the unification efforts of the Nation of Islam and the Hip-Hop Nation.

Full Product Details

Author:   Cheryl L. Keyes
Publisher:   University of Illinois Press
Imprint:   University of Illinois Press
Dimensions:   Width: 15.20cm , Height: 2.30cm , Length: 22.90cm
Weight:   0.454kg
ISBN:  

9780252072017


ISBN 10:   0252072014
Pages:   336
Publication Date:   05 March 2004
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   Out of stock   Availability explained
The supplier is temporarily out of stock of this item. It will be ordered for you on backorder and shipped when it becomes available.

Table of Contents

Reviews

Highly recommended. CHOICE


Author Information

Cheryl L. Keyes is a professor of ethnomusicology and global jazz studies at UCLA. She is also a songwriter, composer, and performer.

Tab Content 6

Author Website:  

Customer Reviews

Recent Reviews

No review item found!

Add your own review!

Countries Available

All regions
Latest Reading Guide

MRG2025CC

 

Shopping Cart
Your cart is empty
Shopping cart
Mailing List